Skip to main content Skip to navigation

WMA Graduate Research Seminar, 2023/2024

Research seminar run in conjunction with the WMA Research Centre and open to all philosophy postgraduate students.
If you would like to receive email notifications about the seminar, please email h dot lerman at warwick dot ac dot uk
In Summer Term the seminar will take place on Wednesdays, weeks 4-7 and 9, at 14:00-16:00, in room S1.39.

In preparation for MindGrad we will dedicate the first 3 sessions to 3 papers by Matt Soteriou and the following 2 session to background reading for Lea Salje's talk.

Week 4: Matt Soteriou, ‘Determining the Future’ [pdf]

Week 5: Matt Soteriou, ‘The past made present: Mental time travel in episodic recollection’ [pdf]

Week 6: Matt Soteriou, ‘Waking Up and Being Conscious' [link]

Week 7: Eli Alshanetsky, Articulating a Thought, Introduction [link] and Chapter 2 'A Puzzle' [link]

Week 9: Alex Byrne, 'Knowing that I'm thinking' [link]


Previous Seminars

Show all calendar items

Post-Kantian European Philosophy Research Seminar Series

- Export as iCalendar
Location: Online Only

Guest Speaker: Maudemarie Clark (University of California, Riverside)

Title: 'Does Nietzsche Overcome The Birth of Tragedy's Nihilistic View of Tragedy in His Later Work?'


Abstract: Our topic is the relationship between the account of tragedy we find in Nietzsche’s first book and his later view of that artistic genre. Aaron Ridley has argued powerfully that Nietzsche’s later view does not overcome the problems that afflict his earlier account. We agree completely with Ridley and we [Clark] have previously argued that Nietzsche’s original account of tragedy is a failure, that it fails to do what he was attempting to do. But we will argue contra Ridley that Nietzsche does overcome his early (and nihilistic) view of tragedy in his later work. The plan is to explain what we take to be the aim of The Birth of Tragedy and why we take it to be a failure. We will then look at Ridley’s argument for reading Nietzsche’s later view of tragedy in Twilight of the Idols as exhibiting the same failure, and explain our reasons for rejecting that account. These reasons will then lead us, indeed force us, to say something about Nietzsche’s later view of art more generally. 

 The session will be held online.


Show all calendar items