CRPLA Co-sponsored Conference

See the Centre for Attention Studies at King's.

Zoom link:

Zoom link:

The theme of cheerfulness in Nietzsche's philosophy has recently been at the centre of an important debate in the literature between Robert Pippin (2010) and Lanier Anderson and Rachel Cristy (2017). Engaging with these scholars, I will consider three major questions: (1) What is cheerfulness? (2) What is its value for philosophy? (3) Is Nietzsche a cheerful thinker and writer? If yes, in what sense? As insinuated by the title of this presentation, I propose that it is possible to argue that starting from his middle writings Nietzsche thinks and writes cheerfully in some of his works, including a number of significant ones.

In person and on Teams:

Click here to join the meetingLink opens in a new window

This is a collective-creative project, taking place as part of the Warwick Resonate Campus Festival. The Dinner Party is a showcase for concrete presentation of ideas, questions, and speculation about food and meals, past, present and future. Contact eileen.john@warwick.ac.uk for more information about how to participate.

Panelists Eileen John, Nick Lawrence, and Emma Williams (Warwick), with comments by Professor Zumhagen-Yekplé (who will join us on Teams)

Elaborating decolonial and intersectional methods, aesthetics has developed rich tools for tackling power differences. How to comprehend the cultural field if it is at once a site of heinous expropriation and violence and one of vital social and political possibility? This essay explores this question through Claudia Llosa’s film The Milk of Sorrow (La teta asustada) (2009). The film, I indicate, reworks racial, gendered, and colonial logics and supplants a model of transculturation, magical realism, and syncretism by a cultural vision of a web of multivalent, pluri-directional aesthetic promises and threats. Thus it presents a young indigenous woman as a contemporary decolonial actor who renders memory livable and opens up unforeseen futures for her shantytown and country. I signal the implications for the positioning of the decolonial feminist spectator or culture maker and for the notion of a decolonial aesthetics. Aesthetic existence at the intersection of oppression and liberation, although tremendously impure and troubled, functions as a bountiful font of feminist energy and sustenance and a site of communal caring and imagination.

Talks by Peter Boxall, Joshua Landy, Patrick Bray and Jeremiah Tillman.

Roundtable discussion of the Radical Landscapes Exhibition at the Mead Gallery (opens 7 October). Commentators: David Bather Woods, Diarmuid Costello, Chris Earley, Nadine Elzein, Nick Lawrence, Danielle Stewart

Talks from Professor Eileen John and Dr Claire Anscomb. Drinks and nibbles!