WMA Graduate Research Seminar, 2023/2024
In preparation for MindGrad we will dedicate the first 3 sessions to 3 papers by Matt Soteriou and the following 3 session to background reading for Lea Salje's talk.
Week 4: Matt Soteriou, ‘Determining the Future’ [pdf]
Week 5: Matt Soteriou, ‘The past made present: Mental time travel in episodic recollection’ [pdf]
Week 6: Matt Soteriou, ‘Waking Up and Being Conscious' [link]
Week 7: Eli Alshanetsky, Articulating a Thought, Introduction [link] and Chapter 2 'A Puzzle' [link]
Week 8: TBA
Week 9: Alex Byrne, TBA
PG Work in Progress Seminar
This week's PG WiP Seminar will be led by Giulia Lorenzini (PhD)
Title: "On the Distinctiveness of Listening to Music"
Thursday March 9th 2023
5pm in S2.77 and on TeamsLink opens in a new window.
Everyone welcome!
Abstract:
In philosophy of auditory perception, taxonomic works, such as O’Callaghan (2021) and O’Callaghan & Nudds (2009), consider the perception of music as a distinctive case. Yet, the current literature on the matter does not furnish a standardised and generally accepted reason for which this should be the case. In this talk, I consider two possible ways to go to reply to the question regarding the distinctiveness of perceiving music. I start presenting what I call here “the Naturalistic View”, based on Budd (2008) and DiBona’s (2022) works. I then show how this view provides some insights on necessary, yet, not sufficient mechanisms, at play in the experience of perceiving music. I proceed considering Scruton’s account of the experience of music, to which I refer here as “the Metaphorical View”. After presenting some wide-spread criticisms to this view, I discuss the case of enculturated and unenculturated listeners to highlight a core, interesting element present in Scruton’s proposal which I consider worth saving.