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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub for food and drinks.


Useful Info

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: 30-minute presentation, followed by Q&A.

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


📅 Format


  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Anything, really -- assessed essay (for MAs), a supervision essay (for MPhils), or a thesis section (for PhDs), ...
  • Style: Flexible -- slides, handouts, or simply talking.
  • Audience: No prior reading or background knowledge expected. Visiting PhDs should can present.

🤔 Should I present? ("I have nothing to present; I hate public speaking; etc.")


  • Are you a postgraduate? Then yes, you should present.
  • In other words, all graduates are encouraged to present at least once.
  • The WIP is a unique opportunity for graduates to develop their public speaking / writing skills, take risks, test out theses, and get constructive feedback from peers.*
  • Presentations need not (in fact, should not) be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process -- first drafts, substantial sets of notes, etc.
  • Simply signing up for a date is a great way to give yourself a deadline to work towards. (This is what most people do.)
 
NEXT TALK

Fridolin Neumann

(PhD)

Heidegger


Thursday 30/04/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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PG Work in Progress Seminar

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Location: S2.77, The Cowling Room

Speaker: Zak Stinchcombe

Title: 'This Moral Vision: Martha Nussbaum and the Novel'

ABSTRACT:

This talk is interested in examining the relations that hold between ethical and literary value with a particular focus on whether they are in tension, do not neatly complement one another, perhaps violently disagree, and so on. Initially we will look at two competing accounts of this tension, namely Ethicism (wherein ethical deficiency, or merit, corresponds to literary deficiency or merit) and Aestheticism (there is no real tension to discuss - aesthetic value and ethical value do not occupy the same space, have nothing to do with one another, that ethical considerations are irrelevant to aesthetic judgements, and so on). Neither account is satisfactory, treating the relationship too superficially. Martha Nussbaum's account of the novel, particularly in the Jamesian novel, points to a deeper, more textured account of the relationship. Quite apart from the ethical and literary value covarying. or else standing independently of one another, Nussbaum argues: 1) novels are themselves works of moral philosophy. 2) it is in novels that one finds the most appropriate articulation of the, or this, moral vision. 3) we can find in novels a paradigm of moral activity. I shall assess the plausibility of these claims, taking into consideration some interpretative ambiguities that exist in her account. I will then be in a position to say something of how this might be applied to the tension we began with. Nussbaum says that there exists a 'dynamic tension between two possible irreconcilable visions...' I agree that this tension exists. Moreover, though, I intend to claim something stronger. The dynamic tension is not merely present; it is an essential component of the relationship between ethical and aesthetic value.

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