From the late nineteenth century onwards, enterprising men from Britain and the British Empire began arriving in Southern Patagonia and Tierra del Fuego, in Argentina and Chile. Part of a wider process of Europeanisation and capitalist colonisation, these men managed an imported activity which deeply transformed this South American borderland region: the sheep farming industry. An important part of this process was the installation of labour regimes, where managers from the British world introduced new practices of disciplining the local workforce. However, as Nicolás Gómez Baeza argues in this blog post, this history of Patagonian local capitalisms was also one of British-global-imperial transfers of diverse capitalist and management knowledge and behaviours.

When rapper Kendrick Lamar released his now critically acclaimed album To Pimp a Butterfly in 2015, he shocked audiences with a fusion of genres, influences, and stories not seen before. In the years since we have come to appreciate this album as a Pan-African work of art. But what does this actually mean? Is Pan-Africanism a political project, an ideological framework, a specific movement, all of these combined, or something else entirely? How do we write a history of such a movement whilst grappling with its very nature? Most importantly, why does this matter today? Jack Bowman gives an overview of the movement from its origins to the modern-day, arguing that it is an ever-changing global project, and needs to be assessed by historians as such.

A cotton growing scheme in the British ruled Aden Protectorate, the Abyan Scheme was built on transfers of knowledge from across Britain’s shrinking empire that were truly global in scope. From the immense cotton fields in Sudan to the agricultural methods taught at the Imperial College of Tropical Agriculture in Trinidad, there was much more to the cotton grown at Abyan than met the eye. Equally, the Abyan Scheme was also not immune to the existential threat of Arab nationalism in the 1950s, as its cotton crops soon became embroiled in Egyptian President Gamal Abdel Nasser’s criticisms of British imperialism. As William Harrop argues in this blog post, Abyan stands as an important case study of how global ideas of development, expertise and anti-colonialism interacted and became reshaped on a local scale.

Until 1979, Britain contended with an avowedly segregationist element in its population, with complex but significant legacies. Located on the fringes of ‘Greater Britain’ in Southern Africa, 250,000 ‘Britons’ in Rhodesia (now Zimbabwe) justified white-minority rule, and rebellion against the Crown, using transatlantic discourses of white nationalism which had a significant impact on discussions regarding race and identity in the British metropole. Through Rhodesia’s experience and the discourses white Rhodesian propagandists produced, we can grasp the manner in which imperial nostalgia was transformed into transnational white nationalism, a discourse that continues to haunt present debates. Unravelling this must be one of the key tasks of global historians today, argues Niels Boender.

What does ‘being modern’ mean? The current pandemic brings this perennial question once again to the fore. Is a strong centralised state that enforces strict public health measures to save lives ‘modern’? Or is a free society where people can make their own choices and control their own body ‘modern’? Is a population that firmly believes in science over all other values ‘modern’? Or is a society where there is no single fundamental assumption, but only constant scepticism and debate ‘modern’? Taking cues from Ruth Rogaski's Hygienic Modernity (2004), Bobby Tam seeks to complicate the idea of what 'modern' is based on his observations of the pandemic response in the UK, Hong Kong, and Singapore.

In this blog post Maria Reyez Baztán presents the findings of her PhD research, provisionally titled 'anti-colonial imagination and internationalism in Basque radical nationalism (1892-1939)'. Exploring the appropriation, adaptation and uses of anti-colonial ideas in early Basque radical nationalism through the analysis of Basque newsletters and newspapers, she shows how Basque radicals’ changing conceptions of colonialism correlate to global shifts occurring during this period. Her case study illuminates how ethnonationalist movements drew inspiration from ideas and events unfolding in different parts of the world, with anti-colonial movements providing a particularly constructive model for Western nationalists, who saw in these struggles a resemblance to their own history of oppression. These shared feelings acted as a source of connection which transcended national boundaries, embedding Basque nationalism within global intellectual history.

The records of the eighteenth-century Foundling Hospital in London reveal an untold part of its history – that of the presence and experiences of Black, brown and mixed-race infants cared for by the charity. In this blog post, Hannah Dennett shares the first findings of her collaborative PhD project based at Warwick and the Foundling Museum. Her research to date has already revealed more incidences of children of colour being admitted into the Foundling Hospital in the eighteenth century than anticipated it would be possible to discover. As she demonstrates through the case of Mary Carne and her infant son born in 1798, the lives of these foundlings, no longer forgotten, are important for shaping a more complete history of the Foundling Hospital.

Every Tuesday evening in August, Oxford-based orchestra Instruments of Time & Truth in collaboration with Warwick's Global History and Culture Centre and Early Modern and Eighteenth-Century Centre presents a digital series of performances and talks exploring the lives of musicians and their patrons in eighteenth-century London. The series will premiere on Youtube on 4 August at 7pm. This blog post features an historical essay accompanying the concert series by Professor Maxine Berg, detailing the rich musical culture of eighteenth-century London and Britain more generally and its historic links to empire, slavery, and changing global patterns of consumption.