Therese Martin (Medieval Studies, Instituto de Historia, CCHS, Madrid) The art of rulership, or material evidence for reigning women: Subh of Córdoba (d. 998/999) and Urraca of León-Castile (d. 1126)

Please note: Seminars are in person only. Everyone welcome. The seminar will be followed by drinks.

The lecture focuses on the monumental fountain incorporated into a garden complex at the Roman villa known today as the Villa San Marco. Drawing on archaeological evidence, textual descriptions by Roman writers, and the use of 3D digital modelling as an interpretive tool, this lecture examines how the art, architecture, garden, and water display in this complex were designed to engage the sensory responses and experiences of villa visitors. The audience will be guided through the Villa San Marco, tracing the possible steps and sensory experiences of an elite Roman visitor to the villa. In doing so, this lecture provides new insights into how the Romans conceived, experienced, and interacted with their multisensory villa environments.

Dr Nancy Wu, Education Officer Emerita, The Cloisters Museum, New York

"East-West Encounters in the 14th Century: John of Marignolli and the Tribute Horse"

Essay competition success for second year History of Art student.

Essay on Leonardo's Map of Imola impressed judges with 'engaging and lucid writing style'.

History of Art student Charity Culley has been awarded a prize by Warwick's Centre for the Study of the Renaissance for her Finalist Dissertation. The Dr Greg Wells Undergraduate Essay Prizes, now in their third year, are awarded for the best undergraduate intermediate-year and final-year essays and dissertation.

Charity was was awarded for her dissertation focusing on ‘Disguised Symbolism In Lucas Cranach’s Salome At The Feast Of Herod’

On Wednesday July 22 we are delighted to be welcoming artist Oraib Toukan to speak about her work, in particular When Things Occur: a 'desktop film' based on Skype conversations with Gaza inhabitants over the summer of 2014. This powerful and topical film probes the face of mourning and grief – its digital embodiment, transmission, and representation. It asks how the gaze gets channeled within the digital realm, how empathy travels, who is 'local' in the representation of war, and what it means to view suffering 'at a distance'.

The film will be made available ahead of the event via a protected Vimeo link for all those who register.

Students from the University of Warwick have been key participants in an open discussion/performance at the Venice Biennale British Pavilion.

The exhibition of works created by students taking the History of Art Practical Art course ends tomorrow (Wednesday 27th June).

Location: Millburn House foyer.

Contemporary artist sends signed exhibition catalogues to students who took part in a seminar with him in Venice last year.

On 7 March, students had the opportunity to try out ancient painting techniques at two specialist workshops led by Jevon Thistlewood, paintings conservator at the Ashmolean Museum. The sessions were organised by the Classics department through IATL, with help from History of Art. Students painted their own mummy portraits using tempera on gesso and encaustic work with cold and hot wax.

First year Art History student, Matthew White, said “It did feel very authentic and the use of wax on painting was a very new idea and good fun…I was especially interested in mixing wax with pigment. This was completely novel to me.”