Skip to main content Skip to navigation

Faculty of Arts Events Calendar

Thursday, May 16, 2024

Select tags to filter on
Wed, May 15 Today Fri, May 17 Jump to any date

How do I use this calendar?

You can click on an event to display further information about it.

The toolbar above the calendar has buttons to view different events. Use the left and right arrow icons to view events in the past and future. The button inbetween returns you to today's view. The button to the right of this shows a mini-calendar to let you quickly jump to any date.

The dropdown box on the right allows you to see a different view of the calendar, such as an agenda or a termly view.

If this calendar has tags, you can use the labelled checkboxes at the top of the page to select just the tags you wish to view, and then click "Show selected". The calendar will be redisplayed with just the events related to these tags, making it easier to find what you're looking for.

 
-
Export as iCalendar
Professor Francesco Paolo de Ceglia (University of Bari)
The Oculus OC1.06

This event will feature a lecture by Professor Francesco Paolo de Ceglia from the University of Bari, focusing on the topics covered in his latest book, 'Vampyr: storia naturale della resurrezione' [Vampyr: Natural History of Resurrection], published in 2023. Following the lecture, there will be a conversation between Professor de Ceglia and Professor Fabio Camilletti, concluding with a Q&A session.

-
Export as iCalendar
Online Book Launch - Louisiana State University Press Facebook Live Author Series with Tomos Wallbank-Hughes: America's Imagined Revolution
Online

Please join us Thursday, May 16th at 2pm CT (3pm ET, 20.00 BST) for a Facebook Live discussion and Q&A featuring Tomos Wallbank-Hughes and his new LSU Press book, "America's Imagined Revolution: The Historical Novel of Reconstruction."

 

RSVP to the event here: https://fb.me/e/6PHH3NtzrLink opens in a new window

 

"America’s Imagined Revolution" explores the Reconstruction period after the Civil War to ask narratological, historiographical, and theoretical questions about how slave emancipation has (and has not) been theorized as revolution. Reading historical fiction by authors such as George Washington Cable, Albion Tourgée, Charles Chesnutt, Frances Harper, and W. E. B. Du Bois in dialogue with nineteenth-century historical writing—and the era’s legal, political, and print culture—Tomos Wallbank-Hughes excavates an evanescent form of historicist writing sensitive to the revolutionary changes that shaped life in the emancipation-era South.

As an aesthetic form, the historical novel of Reconstruction poses questions about revolutionary experience in plantation societies, and in the process challenges critical assumptions about historical time in the nineteenth century: How do authors narrate epochal change that also feels like retrenchment? In what direction does history travel if it does not progress? What narratives of race, class, and region encompass both continued domination and ruptured power? By plumbing the situations that give it form, the historical novel of Reconstruction provides a window into the literary culture of the South’s long nineteenth century in which, rather than a storehouse of tradition, the region became a terrain for interpreting social revolution and uncovering slavery’s revolutionary afterlives.

"America’s Imagined Revolution" offers a new interpretation of the literary and historiographical significance of the Reconstruction period and its relationship to American literary history.

Order copies of "America's Imagined Revolution" here: https://bit.ly/americasimaginedrevolutionLink opens in a new window

______________________________________________________

Tomos Wallbank-Hughes is a Leverhulme Early Career Research Fellow in the Department of English and Comparative Literary Studies at the University of Warwick.

Placeholder