I hold a BA (1st Class) and an MA (Distinction) in Film and Television Studies both from the University of Warwick. My MA dissertation, ‘The Box Set and the Afterlife of Television,’ explored the role of DVD in increasing the accessibility and longevity of non-contemporary television. This work partially forms the basis of my PhD, which I began in October 2016.
In between my BA and MA, I undertook a PG cert in Film Journalism, delivered in conjunction with Sight and Sound, the BFI, and the University of Glasgow. Following this, I worked as a contributing writer for Cine Outsider for a number of years, writing on a wide range of film and television texts.
My research interests include the use of popular music in film and television, the representation of gender in popular culture, television historiography, film and television aesthetics, teen television, and the biopic.
'Memory and Materiality in Music Programming.'
My thesis investigates the relationship between memory and cultural meaning through an exploration of historical music programming, whose longevity extends beyond its original transmission. This longevity is maintained through availability on DVD, online streaming, and television itself. In providing greater access to historical television, these avenues offer the opportunity to investigate how we re-experience our cultural past, and how this is reflected within contemporary documentary series such as The People's History of Pop (2017). My research also examines the transformation of popular music and the past into consumable products prior to the arrival of dedicated music channels in the 1990s. It is funded by a CADRE (Centre for Arts Doctoral Research Excellence) Scholarship.
Supervisor: Professor Rachel Moseley
During the 2019-2020 academic year, my teaching includes Screen Cultures and Methods, and Television History and Criticism. I will also be undertaking seminar teaching for the new module Film and Television Analysis. In the Spring, I will be continuing seminar teaching for Discovering Cinema alongside Matt Denny.
- '"The Mood That Passes Through You": Reverberations of Music and Meaning in The Piano.’ Refocus: The Films of Jane Campion, Bowler, Alexia L., and Adele Jones, editors. Edinburgh University Press [forthcoming].
- ‘“Everybody Needs a Place to Think" or Do They?:The End of BBC Four, Arts Programming and Precarity.’ CST Online, 22 May 2020.
'Good Girl, Bad Luck: Gender, Performance and Morality in Georgy Girl,' Georgy Girl (Indicator/Powerhouse Films, 2018).
- 'All the Right Notes: Woody Allen's Radio Days,' Woody Allen: Seven Films 1986-1991 (Arrow Video, 2017).
- 'Harmonies of Discord: Pop Oldies and Horror Trailers,' In Media Res (2 May 2016).
Conference Papers and Talks
- '"This Woman’s Work": Call the Midwife, Gender, Genre and Hierarchies of Value,’ Reclaiming the Screen: Addressing Overlooked Women in Film and Television, De Montfort University, 14 June 2019.
- 'Video Didn’t Kill the Radio Star: Visual Radio, Nostalgia, and Performing Authenticity,' Department Research Day, University of Warwick, 15 May 2019.
- '"I know now. A terrible thing is coming": Watership Down, Music, and/as Horror,' Watership Down 40, University of Warwick, 10 November 2018.
- “Yesterday Once More”: Screen Presence, Affect and Materiality in Music Television,' Screen Cultures, Birmingham City University, 10 July 2018.
- 'Skam/Shame: Teen TV Goes Global,' International TV Study Day, University of Warwick, 21 June 2018.
- ‘“That’s Entertainment:” The Old Grey Whistle Test, Music Television, Memory, and Legacy.' Music 625: The Performance of Music on Television, C.1955-’85, University of Leeds, 7-9 June 2018.
- ‘“I Can [Still] Hear Music”: BBC Four, Branding, and Music Programming,' Department Research Day, University of Warwick, 16 May 2018.
- ‘“What it Feels Like for a Girl”: Gender, Perspective and Empathy in Netflix’s 13 Reasons Why,' Investigating Identities in Young Adult YA Narratives: One Day Symposium, University of Northampton, 16 December 2017.
- 'Sound Affects: Music and Meaning in The Handmaid’s Tale,' The Handmaid’s Tale: Gender, Genre, Adaptation A Two-Day Symposium, University of Worcester, 30 September – 1 October 2017.
- ‘Memory and Materiality in Music Television,' Department Research Day, University of Warwick, 17 May 2017.
- ‘Ode to Joy: Motherhood and Personhood in Lenny Abrahamson's Room.' Roles, University of Birmingham, 19 May 2016.
- ‘“Written on the Body”: My Mad Fat Diary and Self-image or, How Rae Earl Learned to Love Herself,’ "Let's Hear It For The Girls": Girlhood, Media and Popular Culture, 1990 - present. University of Warwick, 12 March 2015.
- Research Assistant for the AHRC-funded project 'Producers and Production Practices in the History of Italian Cinema, 1949-1975.' (Dec 2018 – ).
- Peer reviewer for Exchanges: The Interdisciplinary Research Journal (2019 – ).
- Peer reviewer for Jazz Research Journal (2018 – ).
- PhD representative of the Film and Television postgraduate SSLC (2016-2017).
- Mentor to MA students applying for doctoral funding (2016-2017).
- Member of the PGR Professional Development Student Panel (2016-2017).
Member of the editorial team for Alternate Takes. Former contributor to the film section of Warwick's student newspaper, The Boar. Reviews include Pride (2014) and Wakolda (2014).
L dot K dot Weston at warwick dot ac dot uk