News

Michael Pigott has contributed an article to a special issue of the journal Performance Research on 'sleep'. The article, entitled 'The Image of Sleep' focusses on the way that the image of the sleeping body is used in Andy Warhol's Sleep and in a number of Joseph Cornell's films, but it considers these in relation to a wide range of ways that the sleeping body has been used in popular culture, from prints by Goya to Dark City and The Matrix.

Find out more about the issue here

and access it through your library here

José Arroyo will be lecturing on Film Criticism and Film Aesthetics at the prestigious Escuela Internacional de Cine y Televisió (EICTV) in Cuba from the 20th of March to the 7th of April.

Find out more about the school here

At this years University of Warwick Staff Awards, Dr. Rachel Moseley and Dr. Helen Wheatley of the Film and Television Studies Dept. won the Community Contribution award for their work on the children's television exhibition at the Herbert Art Gallery andMuseum in Coventry.

"Dr Moseley and Dr Wheatley have developed a new collaborative relationship with The Herbert Art Gallery and Museum, one of the University’s major regional partners in the cultural sector. Both worked on a major exhibition documenting the history of children’s television in Britain that has led to significant economic and cultural impact in the local community. Last year’s exhibition was widely publicised and exceptionally well-attended. This initiative shows how specialised research at Warwick can translate into a major cultural collaboration at a local level. Such work encourages the emergence of new dialogue between academia and the local community."

The Dept. would like to congratulate Dr. Greg Frame on the nomination of his book The American President in Film and Television: Myth, Politics and Representation (Peter Lang, 2014) for Best Monograph by the organisation BAFTSS. Find out mor about the competition here: http://baftss.org/awards/awards-2016/ and about Greg's book here: http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=72950&concordeid=430951

PRODUCERS AND PRODUCTION PRACTICES IN THE HISTORY OF ITALIAN CINEMA, 1949-1975

Principal investigator: Stephen Gundle (Warwick)

Co-Investigators: Karl Schoonover (Warwick), Stefano Baschiera (Queens, Belfast), Christopher Wagstaff (formerly Reading)

AHRC Major Research Project. Grant received £718,500

To run March 2016 - February 2019

The project will bring together a core group of researchers with established expertise in different aspects of the film industry to examine the way Italian producers shaped global film production and distribution between the late 1940s and the mid 1970s. It will do this by exploring a wide range of business practices and the domestic and international contexts in which these developed. The practices in question played a crucial role in building international markets for Italian films and creating production and distribution strategies which turned Italian cinema into a global force. They set a vital precedent for other emerging national cinemas in Europe and the world. The importance of producers has not been recognised in conventional scholarship and therefore the activities of these key players have been inadequately investigated and analysed. Project research will establish what their goals were, how they operated to achieve those goals, and what conditioning factors framed their activities. The papers of several major producers from the most successful period of the Italian cinema and of the main industry association have recently become available for study, providing a unique opportunity to investigate hitherto obscure practices and to research a particular production culture in unprecedented depth. The project will produce a range of outputs that will reinterpret the history of postwar Italian cinema and benefit both present and future scholars and those interested in Italian and international film culture more generally, as well as sectors of the cinema industry itself.