Academic Staff Research Interests
Centre for Cultural and Media Policy Studies
History of Art
| Jenny Alexander | Medieval Art and Architecture especially the study of medieval and early modern buildings, their construction and use. | |
| Josefine Baark | Seventeenth and eighteenth-century art and visual culture; Global art, particularly in China; Automata and mechanization; Portrait sculpture; Miniaturization and scale. | |
| Louise Bourdua | Artistic patronage, religious orders and intersections between the Veneto and Northern Europe in the later middle ages and Renaissance. | |
| Rosie Dias | Eighteenth and early nineteenth-century British art and visual culture; colonial art, particularly in India; British artists in Venice. | |
| Michael Hatt | Nineteenth-century Danish art and culture; British and American Art in the 19th and 20th centuries; Visual Culture with a particular interest in gender and sexuality, and in questions of visual racism; the history of art history. | |
| Livia Lupi | Late medieval and early modern painting and architecture, especially in Italy; Representations of architecture in the arts of Europe and Asia; Exchanges between Italy and the late Byzantine world; History of rhetoric and its interplay with the visual arts; Architectural drawings; Painter-architect figures; Exchanges between Europe and early modern India. | |
| Lorenzo Pericolo | Early modern religious art, Renaissance and Baroque art and theory, the influences and cross-fertilizations between the artistic centres of early modern Europe | |
| Otto Saumarez Smith | The profound changes that happened to the state and society in modern Britain viewed through the lens of the built environment. | |
| Paul Smith | Later nineteenth-century French painting, and its links with art theory, criticism, and literature. Also; theory and philosophy of art: Wittgenstein’s aesthetics; Adrian Stokes and Richard Wollheim; art and visual perception; colour. | |
| Danielle Stewart | Photography and urbanism in mid-century Latin America; the relationship between visual culture and the built environment; Brazilian Modernism; contemporary Latin American Photography; ecocriticism; photographic surveys; photography and race. | |
| Giorgio Tagliaferro | Images and the story of their production, reception and impact on the formation of cultural identities within specific contexts, especially in Renaissance and Early Modern Europe. | |
| Naomi Vogt | 20th and 21st century visual culture; moving image within history; documentary practices; the post-internet; video installation; rituals; the circulation of tropes and iconographies; art and knowledge. | |
| Sarah Walford | The life and career of Coventry's first City Architect, Sir Donald Gibson, and Coventry's pioneering role in post-war public sector architecture. | |
| Tom Young | Art in India, Empire, Lithography, Mass media technology, Rise of the Counterculture, Nineteenth Century art and printmaking, Artistic technology as a driver for historical change. | 
Theatre and Performance Studies
| Jim Davis | Professor of Theatre and Performance | Nineteenth-century British theatre; nineteenth-century London theatre audiences; nineteenth-century Australian theatre; theatre iconography; history and theory of acting; melodrama and pantomime; comic performance; Dickens and theatre. | 
| Milija Gluhovic | Associate Professor (Reader) of Theatre and Performance | Contemporary European theatre and performance; memory studies and psychoanalysis; discourses of European identity, migrations and human rights; religion, secularity, and politics; contemporary North American and North African theatre and performance and international performance research and pedagogy. | 
| Stuart Hampton-Reeves | Professor of Theatre and Performance | Creative practitioners (actors, artists, directors, musicians) who engage creatively with Shakespeare; 20th century Shakespeare performance with an emphasis on history plays and articulations of national culture; undergraduate research as a pedagogic practice and an international movement. | 
| Anna Harpin | Associate Professor of Theatre and Performance | Cultural histories of madness and trauma; post-war British and American theatre and film; graphic medicine; live art practices; critical medical humanities; critical psychiatry; pain and illness narratives; class politics; fat studies. | 
| Nadine Holdsworth | Professor of Theatre and Performance | Post-war British theatre; politics and theatre; theatre and marginalized communities; arts and homelessness; popular theatre practitioners; theatre and national identities in England, Scotland, Wales and Northern Ireland; amateur theatre. | 
| Yvette Hutchison | Associate Professor (Reader) of Theatre and Performance | African theatre and performance, and its relationship to history, myth, and memory; African womanisms/ feminisms; memory and transitional justice; Post-colonial theatre; contemporary South African Theatre; Intercultural Theatre and contemporary identity construction in post-Apartheid South Africa. | 
| Silvija Jestrovic | Professor of Theatre and Performance | Exilic theatre and performance; citizenship, gender and labour migration; contemporary urban and political performances; Cultures of the Left; Avant-garde theatre and performance; performance, theatre, and culture of the Balkans; performance analysis; writing for performance | 
| Julia Peetz | Leverhulme Early Career Fellow | Performance and democracy; political and theatrical representation; populism; performativity and theatricality; political speech; interdisciplinary research practice. | 
| Bobby Smith | Assistant Professor of Theatre and Performance | Applied and socially engaged performance; theatre for development; transnational partnerships; theatre and conflict. | 
| Pat Smyth | Senior Research Fellow | Theatrical spectacle; nineteenth-century visual culture, including panoramas, dioramas and other optical entertainments; the representation of landscape and urban environments on stage; spectatorship; the expression of emotion through attitude and gesture. |