A new paper from CIM member Carlos Cámara-Menoyo along with Joanna Suchomska, Wojciech Goszczyński, Pia Laborgne, Andrea Pierce, Michał Wróblewski, João Porto de Albuquerque and Simon Jirka has just been published in Gateways: International Journal of Community Research and Engagement. The paper expands on the work made at Creating Interfaces project and complements the previous paper published in Environmental Science and Policy by focussing on the lessons learnt on food procurement through the implementation of an Urban Living Lab methodology.

Abstract:

This article presents a case study on the experimental co-creation process of a digital platform supporting Sustainable Public Food Procurement (SPFP) in public kindergartens in a medium-sized city in Poland. The organisation of SPFP requires a dedicated technological infrastructure to ensure the information flow among food producers, kindergarten employees, children and parents. To this end, a digital platform was designed to enable contact, assessment of food quality and food procurement environmental impact, and the communication of needs and problems among all the actors involved in the food procurement system for kindergartens. The article also discusses the results of the field research and the method of Urban Living Labs, highlighting the key challenges faced by those seeking to combine knowledge about food and the natural environment with public food procurement. The principal difficulties include the availability, accessibility and possible application of data on the environmental costs of food production, the individualisation of needs and motivations related to public catering in educational facilities, and the specific nature of the public sector responsible for public food procurement.

We are delighted to share that Professor Sharifah Sekalala has won the Feminist Legal Studies Editor's Article Prize 2024 for her joint research on the gendered impact of the failures of medical supply chains during Covid-19.

Professor Diarmuid Costello has been awarded a Leverhulme Research Fellowship (2023-4) to work on his next book project, a collection of essays provisionally titled Spurs to Thought: Philosophical Engagements with Contemporary Art.

Professor Costello says: "The goal of this research is two-fold: to demonstrate the remarkable capacity of selected works of contemporary art to function as spurs to philosophical reflection, if approached in the right spirit; and, in so doing, to establish the value of what I call “philosophical criticism” as an alternative to currently dominant methodologies in the philosophy of art, whether analytic or continental. The project brings this method to bear on the kind of contemporary works that often elicit hostility or confusion, so as to make clear the challenge that such works may implicitly pose to our unreflective understanding of normative concepts we make use of every day".

Professor Costello's previous, recently completed monograph, Aesthetics after Modernism will appear in 2024 with Oxford University Press (NYC) in Noël Carroll and Jesse Prinz’s ‘Thinking Art’ series.

"Aesthetics after Modernism argues for the ongoing relevance of aesthetics to appreciating art after modernism. It aims to show that even the hardest of “hard cases” remain amenable to aesthetic analysis on an adequate conception of the latter. The book traces the contrary view of much recent art criticism and theory to Clement Greenberg’s success in recruiting Kant’s aesthetics to underwrite a formalist conception of aesthetic value. This has led later theorists to miss the resources in the third Critique for understanding our cognitive relation to the kinds of art in which they are interested. It is widely assumed that Kant’s aesthetics cannot speak to the semantic dimension of art; I provide an interpretation of Kant’s theory of art, taking Conceptual Art as my test case, that suggests otherwise. If it can be shown that Kant’s aesthetics can accommodate the appreciation of art with no sensible features, then it should in principle be able to accommodate any kind of art".