
How a French ghost story influenced Dickens
A Christmas Carol isn’t the only spine-chilling Christmas ghost story from the pen of Charles Dickens, writes Dr Fabio Camilletti.
A Christmas Carol isn’t the only spine-chilling Christmas ghost story from the pen of Charles Dickens, writes Dr Fabio Camilletti.
In August 1819, 600,000 people marched peacefully to St Peters Field in central Manchester to hear a speech about electoral reform. The orator, Henry Hunt, addressed the crowd at 2pm – twenty minutes later eighteen were dead and more than six hundred injured. Here’s five things you should know...
Dr Fabio Camilletti explores how the reading of a book of German ghost stories led to the invention of modern horror :Polidori’s story, The Vampyre, and 18-year-old Mary Shelley's classic, Frankenstein
Five things you may not know about the Italian roots of the modern vampire.
Even 402 years after his death, Shakespeare still has much to say on modern issues. Stuart Elden is Professor of Political Theory and Geography at the University of Warwick and is using Shakespeare’s works to further the understanding of one evergreen issue in human geography: Territory.
James Hodkinson is an expert in German literature and history. No, not that bit of German history. His focus is on pre-20th Century Germany’s relationship with Islam.
Can education and violence ever be on the same spectrum? In this series of podcasts, Dr Seán Allan, Professor Ricarda Schmidt and Dr Steven Howe explore the life and work of Henrich von Kleist, a 'writer out of his time' whose work always courted contradiction and controversy.
One aspect of Dickens's life not especially touched on was his effort to preserve Shakespeare's memory in the playwright's home county of Warwickshire. Dr Charlotte Matheison, Professor Stanley Wells and the Rev. Dr Paul Edmondson explore Dickens's special relationship with Shakespeare's birthplace.
A Venetian Miscellany is a book of essays celebrating Warwick's long connection with the city of Venice - not least its occupation of the Palazzo Pesaro Papafava, which has become the University's permanent Italian base. In this extract, Professor Ann Hallamore Caesar looks at how Edith Wharton and Henry James used Venice as a metaphor for decline and decay.