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Cyborgs and Clones

Cyborgs and Clones

A Stolen Life. Dir. Curtis Bernhardt. Perf. Bette Davis, Glenn Ford, Dane Clark and Walter Brennan. MGM UA, 1946.

A Stolen Life. Dir. Paul Czinner. Perf. Elizabeth Bergner, Michael Redgrave, Wilfrid Lawson and Mabel Terry Lewis. Paramount Pictures, 1939.

Dyer-Witheford, Nick. Cyber-Marx: Cycles and Circuits of Struggle in High-Technology Capitalism. Urbana and Chicago: University of Illinois Press, 1999.


Gentlemen Prefer Blondes. Dir. Howard Hawks. Perf. Jane Russell, Marilyn Monroe, Charles Coburn and Elliott Reid. Twentieth Century Fox, 1953.


Groundhog Day. Dir. Harold Ramis. Perf. Bill Murray, Andie MacDowell, Chris Elliott and Steve Tobolowsky. Columbia Tri-Star, 1993.


Broderick, Damien. Reading by Starlight: Post-modern Science Fiction. London and New York, NY: Routledge, 1995.


Haraway, Donna. Simians, Cyborgs and Women. London: Free Association Books, 1991.


How to Marry a Millionaire. Dir. Jean Negulesco. Perf. Betty Grable, Marilyn Monroe, Lauren Bacall and David Wayne. Twentieth Century Fox, 1953.


Hutcheon, Linda. The Politics of Postmodernism. 2nd edn. London and New York: Routledge, 2002.

A Poetics of Postmodernism: History Theory, Fiction. London and New York: Routledge, 1988.


I am Curious (Yellow). Dir. Vilgot Sjöman. Perf. Lena Nyman, Vilgot Sjöman, Borje Ahlstedt and Peter Lindgren. Grove Press, 1967.


I am Curious (Blue). Dir. Vilgot Sjöman. Perf. Maj Hultén, Vilgot Sjöman, Lena Nyman, and Borje Ahlstedt. Grove Press, 1968.


Invasion of the Body Snatchers. Dir. Don Siegel. Perf. Kevin McCarthy, Dana Winter, Larry Gates and King Donovan. Allied Artist Pictures, 1956.


Invasion of the Body Snatchers. Dir. Philip Kaufman. Perf. Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartright. MGM, 1978.


Irizarry, Estelle. ‘Clone Poems and the Microcomputer’. Hispania. 72.3 (1989): 787 –791.


Ishiguro, Kazuo. ‘Kazuo Ishiguro talks to John Wilson’. The Elmley Foundation Theatre, Guardian Hay Festival, Hay-On-Wye. 29 May 2005.

 

Lefanu, Sarah. In the Chinks of the World Machine: Feminism and Science Fiction. London: The Women’s Press, 1988.


Lodge, David. The Art of Fiction: Illustrated from Classic and Modern Texts. Penguin: London, 1991.


Madonna. ‘Material Girl’. Like A Virgin. Warner, 2002.


Munster, Anna. ‘Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism’. Australian Feminist Studies. 40. 29 (1999): 119 – 129.


Murphy, Jane. ‘From mice to men? Implications of progress in cloning research’. Test-Tube Woman: What Future for Motherhood? Ed. Rita Ardetti, Renate Duelli and Shelley Minden. London: Pandora Press, 1989. 76 – 91.


Rowland, Robyn. ‘Technology and Motherhood: Reproductive Choice Reconsidered’. Signs.12.3 (1987). 512-528.


“Science Fiction”. The Oxford Companion to Literature. 6th ed. 2000.


The Double Life of Veronique. Dir. Krzysztof Kieslowski. Perf. Iréne Jacob, Halina Gryglaszewska, Kalina Jedrusik and Aleksander Bardini. Miramax, 1991.


The Stepford Wives. Dir. Bryan Forbes. Perf. Katharine Ross, Paula Prentiss, Peter Masterson and Nanette Newman. Columbia Pictures, 1975.


The Stepford Wives. Dir. Frank Oz. Perf. Nicole Kidman, Matthew Broderick, Bette Midler and Glenn Close. United International Pictures, 2004.