Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead. Helen introduced the book at this event and invited to collaborators to respond to the work, prior to a drink reception. The event was held Coventry Cathedral as this special place was one of the key locations for the events discussed in the final section of the book.

The novel is already garnering excellent reviews. The TV rights to the adaption have already been aquired, following a competitive auction for the rights to the novel.

We are pleased to announce that the following students, staff and alumni have been nominated in the BAFTSS 2024 publication awards, a prestigious award in film and television studies.

Yue Su (current PhD student) has been nominated for best published essay by a doctoral student, for 'Liquidity and Stillness: The Sea and Shore and the Furo in Kore-eda Hirokazu’s Cinema', Somatechnics, 13:2.

Jamie Zhao (PhD alumnus) has been nominated for 'Best Edited Collection' for Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (Hong Kong: Hong Kong University Press, 2023).

Catherine Lester (PhD alumnus) has been nominated for Watership Down: Perspectives on and Beyond Animated Violence (London and New York: Bloomsbury Academic, 2023). The collection features articles writted by PhD and MA alumis Leanne Weston and Joshua Schulze, respectively.

We wish all nominees the best of luck.

Teaching Fellow Alice Pember has curates ‘Trailblazers: Women in New Hollywood’, a season that reconceptualises this renaissance in American filmmaking by celebrating unsung female directors whose creativity also began to flourish in this more open filmmaking landscape, but whose work has often been unfairly overshadowed by their male counterparts.  

Spotlighting the trailblazing filmmaking of directors Claudia Weill, Barbara Loden, Joan Micklin Silver, and Kathleen Collins, the season showcases a range of their rarely-screened films from the 1970s and 80s. From Claudia Weill’s masterly examination of female friendship Girlfriends (1978), to the point zero of the modern indie rom-com Crossing Delancey (Joan Micklin Silver, 1988), the season highlights the visionary filmmaking and lasting impact of these women on contemporary American cinema. Accompanied by Q&As, expert introductions, discussions, and special events, the season invites reconsideration of this important era of American filmmaking, shedding light on women’s hard-fought (and sometimes short lived) contributions.

Tickets are available to purchase on The Garden Cinema website.

The show is available to watch now on the BBC iPlayer.