Skip to main content Skip to navigation

Dr. Julie Lobalzo Wright

img_3934.jpg

Assistant Professor in Film & Television Studies

MA Admissions | Equality, Diversity, and Inclusion Champion | LGBTUA+ Supporter

J.Wright.4@warwick.ac.uk

Tel: +44 24765 22703

Room A0.15, Millburn House

About

Julie Lobalzo Wright holds a BA in English with an emphasis on Film Studies from the University of Colorado at Denver, MA in Film Studies from Queen Mary, University of London, and a PhD in Film Studies from King’s College London. Her PhD examined crossover stardom, particularly male popular music stars in British and American cinema. Julie is the co-convenor (with Leanne Weston) of the BAFTSS Performance and Stardom Special Interest Group and was the co-organiser of the Reinvigorating and Reinventing Stardom symposium that took place at Warwick on 2 November 2019.

Research Interests

Her main research interests are in film and television stardom, musicals, masculinity in film, Hollywood/American cinema, British cinema and television, popular music and cinema, and animation.

Supervision

She is interested in supervising PhDs that merge with many of her research interests including stardom, performance, celebrity, popular music and cinema, musicals, Hollywood/American cinema, British cinema, and animation. And, especially, interested in representation and the subjects noted above.

Publications

Books
Articles
  • 'Animation and the Star Body', Film/Philosophy, Vol. 23, issue 2 (Special Issue on Stardom and Philosophy, ed. Lucy Bolton), pp. 194-211 (2019).
  • ‘The all-American golden boy: Robert Redford, blond hair and masculinity in Hollywood’, Celebrity Studies, Vol. 7, Issue 1 (Special Issue: Blondes, ed. Ginette Vincendeau) (2016).
Chapters
  • "'This is a F**king Business: The Concert Show and Tour in 1970s Hollywood Fiction Films" in Mapping the Rockumentary: Images of Sound and Fury, edited by Scott MacKenzie and Gunnar Iversen (Edinburgh University Press, 2021).
  • [manuscript stage] “‘I’m not haunted by Annie Hall. I’m happy to be Annie Hall”: the Tangled Relationship Between Annie and Diane’ in Remembering Annie Hall, edited by Jonathan Ellis and Ana María Sanchez-Arce (Bloomsbury, 2022).
  • [manuscript stage] “‘The Same Story Told Over and Over’: The Mythology of Stardom in the Musical A Star is Born Films” in The Oxford Handbook of the Hollywood Musical, Edited by Dominic McHugh (Oxford, 2022).
  • “The Boy Kept Swinging: David Bowie, Music Video, and the Star Image” in Music/Video: Histories, Aesthetics, Media, edited by Michael Goddard, Kirsty Fairclough-Issacs, Gina Arnold and Danny Cookney (Bloomsbury, 2017).
  • "From Boy N the Hood to Hollywood Mogul: Ice Cube’s Lasting Stardom in Contemporary Hollywood" in Lasting Screen Stars: Images that Fade and Personas that Endure, edited by Lucy Bolton and Julie Lobalzo Wright (Palgrave, 2016).
  • “David Bowie is the Extraordinary Rock Star as Film Star” in David Bowie: Critical Perspectives, edited by Eoin Devereux, Aileen Dillane and Martin Power (Routledge, 2014).
  • “The Good, The Bad and The Ugly 60s: The Opposing Gazes of Woodstock and Gimme Shelter” in The Music Documentary: Acid Rock to Electropop, edited by Benjamin Halligan, Kirsty Fairclough-Issacs and Rob Edgar (Routledge, 2013).
Reviews
  • Review of Julie Christie, Melanie Bell, Women’s History Review 26, no. 3 (2017).
  • Review of Female Celebrity and Ageing: Back in the Spotlight, edited by Deborah Jermyn and In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity, edited by Su Holmes and Diane Negra, NECSUS: European Journal of Media Studies (Autumn 2014).
  • Review of The British Pop Music Film: The Beatles and Beyond, Stephen Glynn, The Journal of British Cinema and Television, Journal of British Cinema and Television 11, no. 2-3 (2014).
  • Review of Cult Film Stardom: Offbeat Attractions and Processes of Cultification, edited by Kate Egan and Sarah Thomas, Historical Journal of Film Radio and Television 34, no. 1 (2014).
  • Review of Hollywood’s Last Golden Age: Politics, Society, and the Seventies Film in America, Jonathan Kirshner, The Journal of Popular Culture 46, no. 5 (2013).
Online
  • Written for The Conversation and Viewfinder (The British Universities and Colleges Film and Video Council)
Selection of Conference Papers and Talks
  • 'Nothing's Impossible: Barbra and Goldie as Star Filmmakers', BAFTSS, University of Southampton, 7-9 April 2021.
  • ‘The Self-Authored Star Image: Kirk Douglas’ Real Life and Hollywood Legacy’, SCMS, Toronto, Canada, 14-18 March 2018.

  • ‘“I’m the Song”: Bing Crosby’s Body in Film’, NECS Conference, Université Sorbonne Nouvelle-Paris 3, 29 June- 1 July 2017.
  • ‘Under the Cherry Moon: Sexuality, Race and Hollywood in “A Film by Prince”’, Purple Reign: An Interdisciplinary Conference on the Life and Legacy of Prince’, University of Salford, 24-26 May 2017.
  • ‘Easy Come, Easy Go: Elvis Presley and Musical Classification’, BAFTSS Conference at the University of Bristol, 20-21 April 2017.
  • “Will Smith’s Peter Pan Syndrome,” Celebrity Studies, Royal Holloway, University of London, 19-21 June 2014.
  • “The Rolling Stones’ British and American Identity,” Mad Dogs and ‘Englishness’: Popular Music and English Identities at St. Mary’s University College, 20-21 June 2013.
  • “The Crossover: Why Popular Music Stardom and Film Stardom are Often at Odds With One Another,” Revisiting Star Studies at Newcastle University, 12-14 June 2013.
  • “All These Things That I’ve Done”: Justin Timberlake, The Killers and Southland Tales,” The Afterlife of the Film Song Symposium at the University of Bristol, 8 December 2012.
  • “The Extraordinary Rock Star as Film Star: David Bowie in The Man Who Fell to Earth,” A Strange Fascination?: A Symposium on David Bowie at the University of Limerick, 26-27 October 2012.
  • “Romance, Masculinity and the Star Image: The Work of Leonardo DiCaprio.” Film and Media 2012 at the Institute of Education, University of London, 22-24 June 2012.
  • Tougher Than Leather: Run-DMC, Blaxploitation and Hip Hop Cinema.” The Popular Culture Association/American Culture Association Annual Conference in Boston, MA, 11-14 April 2012.
Public Engagment
  • Co-organiser of the "Hollywood Musical Stars" Study Day, BFI, 26 October 2019
  • Panelist on 'Kubrick and Masculinity', BFI, 15 May 2019
  • Panelist on 'The Seven Faces of Bond', Edinburgh Spy Week, 9 April 2019
  • Co-organiser of the student-run film festival, Pushing Boundaries: 1960s British Cinema and its Pioneering Stars, at the Warwick Arts Centre on Sunday 29 April 2018 (https://warwick.ac.uk/fac/arts/film/news/eventsarchive/pushingboundaries)
  • 'Glamour, Excess, and Transformation: Jewellery in Hollywood Cinema', part of the Love and Desire in Gems and Jewels Study Day, V&A Museum, 20 January 2018
  • ‘An Introduction to Analysing Film’ Masterclass, Warwick Arts Centre, 12 August 2017
  • ‘In Conversation: Lasting Stars: Images that Fade and Personas that Endure’, 9 June 2016. With Lucy Bolton and guests at the National Portrait Gallery
  • ‘Kirk Douglas: The Movies, The Muscles, The Dimple’, 19 September 2016. Part of the Kirk Douglas Season at the British Film Institute
  • Appeared on TRT World, BBC Radio Coventry/Warwickshire, BBC Radio Scotland, News Talk 'Talking History', Monocole 24 Radio ('Sunday Brunch')

Teaching

I have taught on many modules that examined stardom and performance, film history, British cinema, Hollywood as an industry, animation and female film directors. At Warwick, I have convened and/or taught the first year modules Film and TV Analysis and Visual Cultures; second year module National Cinemas (British cinema); and third year modules Film and Television Stardom and The Art of Animation; in addition to the (former) outside module Discovering Cinema; and the MA Core module, Screen Cultures and Methods.

In 2021/2022, I will convene the second year core module Classical Hollywood, second/third year module Film and Television Stardom and the outside option Film History and Methods.

9781628925807.jpglasting_screen_stars