26 September 2024

Updated content:

Course overview

Old:

German Studies at Warwick provides the opportunity to explore the extraordinary breadth and depth of the German language and culture in collaboration with recognised experts in the field.

Germany has always been at the heart of European intellectual and cultural traditions, not least the birth of early cinema. This creates a natural synergy between these two subject areas.

Warwick’s Film Studies modules cover the foundations of film and television history, theory, analysis and interpretation. Building on this foundation, you will then develop your understanding of national, international and historic film and television cultures.

Combining German with film means you will graduate as a highly qualified linguist with a deep understanding of key issues and developments in Germany’s past and present. You will gain advanced intercultural skills and excellent knowledge of visual aesthetics, cinematic culture, and narrative forms.

You will normally spend your second or third year abroad, consolidating and enhancing your learning.

Important information
We are planning to make some exciting changes to our German with Film Studies (BA) degree for 2025 entry. We continually review our curricula to reflect developments in the relevant disciplines to deliver the best educational experience. The core and optional modules will undergo approval through the University's rigorous academic processes. As modules are approved, we will update the course information on this webpage. It is therefore very important that you check this webpage for the latest information before you apply and prior to accepting an offer. Sign up to receive updates.

New:

Combining German with film means you will graduate as a highly qualified linguist with a deep understanding of key issues and developments in Germany’s past and present. You will gain advanced intercultural skills and excellent knowledge of visual aesthetics, cinematic culture, and narrative forms. You will spend a 75% of your time on German Studies and 25% of your time focusing on Film Studies.

A German with Film Studies degree will allow you to combine two specialisms. Firstly, you will be able to develop and refine your skills as a linguist through a programme of modules exploring the German language and the culture, history and politics of Germany and the German-speaking world. Alongside this, you will also acquire a specialist knowledge of German cinema, Hollywood cinema, and other European film cultures.

German Studies at Warwick provides the opportunity to explore the extraordinary breadth and depth of the German language and culture in collaboration with recognised experts in the field. Germany has always been at the heart of European intellectual and cultural traditions, not least the birth of early cinema. This creates a natural synergy between these two subject areas.

Warwick’s Film Studies modules cover the foundations of film and television history, theory, analysis and interpretation. Building on this foundation, you will then develop your understanding of national, international and historic film and television cultures.

Your second or third year is normally spent abroad, either as a language assistant, working, or studying at one of our partner universities. This is an invaluable opportunity to immerse yourself in the linguistic and cultural contexts where German is spoken, enhance your language skills and build international connections.

You will have access to outstanding facilities and resources. This includes flexible collaborative and individual learning spaces, as well as a vast selection of print, digital and multimedia learning materials.

You will finish your degree as a proficient, internationally mobile linguist with a deep understanding of German-speaking cultures, and an advanced knowledge of film and cinema.

Core modules

Old:

Building on the strong interdisciplinary links between German and Film and Television Studies, this degree combines in depth study of cinema in German culture with the opportunity to explore wider aspects of film and other cinematic cultures.

In your first year, you will take language classes designed to develop your knowledge and understanding of written and spoken German. To complement your language skills, you will follow a programme focussing on contemporary German society and the origins of modern German culture in the late eighteenth century. This provides an excellent and comprehensive foundation for studying further aspects of German literary, visual and political culture in the later stages of your degree. You will also study two core Film Studies modules, which will introduce you to key concepts and landmarks from film history and develop your familiarity with methods for film analysis.

In your intermediate and final years, you will take modules that further develop your German language skills and cultural expertise. Alongside the core language module, you will have an opportunity to develop your own particular interests by choosing from a wide selection of modules offered by German specialists that cover a broad range of subjects in German culture, society, literature, politics, philosophy, film, history, and business, as well as translation and transnationalism. You can also opt to study some of our interdisciplinary cross-School modules.

You will continue to spend a quarter of your time on Film Studies. Core modules in World Cinemas and Hollywood Cinemas in intermediate year will build on the foundations of the first year to help you apply theories and analysis methods to films from different national contexts. In final year, you will be able to select from a range of optional modules that develop your own specialist interest in areas such as ‘Queer Cinema’, ‘The Art of Animation’, ‘Transnational Action Cinema’, and ‘Contemporary Latin American Cinema’.

You can choose to spend your year abroad studying at a university in a German-speaking country or on a British Council Assistantship or a work placement.

---

Important information
We are planning to make some exciting changes to our German with Film Studies (BA) degree for 2025 entry. We continually review our curricula to reflect developments in the relevant disciplines to deliver the best educational experience. The core and optional modules will undergo approval through the University's rigorous academic processes. As modules are approved, we will update the course information on this webpage. It is therefore very important that you check this webpage for the latest information before you apply and prior to accepting an offer. Sign up to receive updates.

Year One

Modern German Language 1

You will develop your translation, grammatical and speaking skills in German, and in doing so broaden your vocabulary and range of idiom, expression and awareness of various stylistic registers. You will work in a pair or group on a media project under the supervision of a tutor, which will contribute to your end-of-year mark in spoken German.

Read more about Modern German Language 1Link opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

or

Modern German Language for Beginners

As a beginner in the acquisition of the German language, you will cover the main linguistic skills in speaking, listening, writing and reading. You will focus on gaining grammatical accuracy as well and communicative fluency and competence. By the end of the year, you will be expected to be able to sustain everyday conversations in German, read authentic texts such as newspaper articles, follow the gist of TV extracts and be able to write an intermediate range of texts in German. You will also work on basic translations to and from German as a means of consolidating your knowledge.

Read more about the Modern German Language for Beginners moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

German Studies module:

Provincial - Pariah - Powerhouse: Reading German-language Culture in a Global Perspective

This module introduces landmarks in the history of modern Germany, which emerged as a nation out of a confederation of provinces and principalities in the 19th century. You will touch on the political turmoil, conflicts, and violence that at times made Imperial Germany, the Third Reich and the post-1945 Germanies pariah states in the eyes of the international community. You will also reflect on the developments that led to contemporary Germany's’emergence as a cultural, political and economic powerhouse, shaping global trends in film, literature, theatre and music. The module focuses on the media and representations through which many of us first encounter German-language culture: fairy-tales and their afterlives; performance, visual and screen culture; music and sound. In other words, students will sample the works and ideas that have put Germany and the German language on the world map.

We will engage with a number of key questions. How did German literature, film, art, and music transform the status of the German language? How did German-speaking artists shape the cultural genres that we consume today? How does engaging with these works give us a more differentiated understanding of the positive and negative aspects of Germany's’history and its global influence?

The module will help you develop skills that will be essential for the rest of your degree and your life after Warwick: critical reading; clear and concise argumentation; excellent written and oral communication skills; independent thinking and research.

Read more about Provincial - Pariah - Powerhouse: Reading German-language Culture in a Global PerspectiveLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Plus an optional module in the School of Modern Languages and Cultures or an approved outside option (30 credits)

Two modules from Film Studies:

Film History and Methods

This module will focus on film and history, exploring the various ways film texts have been analysed as reflecting social and cultural historical moments, filmmaking movements of particular eras, and how films have historicised individuals and events. There are many ways to ‘do’ film history and this term will not be an exhaustive survey of the history of cinema. Instead, it will offer some key contexts, methodologies, and traditions that have formed the wide-ranging study of film and history.

Read more about the Film History and Methods moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

and

Film Analysis and Methods

This module is concerned with the close reading and interpretation of film texts through close textual analysis. Over the course of the module, you will acquire the skills and vocabulary necessary to analyse the ways in which meaning is conveyed through the formal properties of film. This module is also concerned with the broader applications of close textual analysis. By the end of the module and you should be confident in applying your skills of textual analysis in order to interrogate the political dimension of audio-visual texts.

Read more about the Film Analysis and Methods moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Intermediate Year

Modern German Language 2

In this second-year module, you will increase your general and specialised vocabulary in German through translation into English and German, essay-writing in German, spoken and listening comprehension, and work on business-related materials. In pursuit of these aims, you will learn to identify and rectify grammatical errors, and gain increased sensitivity towards language in general, and an awareness of register, semantics and style in particular. You will also gain important language research skills, including correct use of dictionaries.

Read more about Modern German Language 2Link opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

German Studies module:

Reason, Romantics and Reactions. Germany in the Age of Revolution

You will get to grips with the emerging sense of German nationhood, against the background of the French Revolution and Napoleonic wars. You will study concepts such as the state, the nation and the classical ideal as an aesthetic and political model through the work of authors such as Goethe, Schiller and Hölderlin, before exploring German Romanticism up to its critical reappraisal in the 19th century. You will develop your appreciation of the role of the artists in the German Weltanschauung and the rise of nationalism to broaden your understanding of how literature reflects different models of progress and anticipates social and political change.

Read more about Reason, Romantics and Reactions. Germany in the Age of RevolutionLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2022/23 year of study).

Plus an optional module in the School of Modern Languages and Cultures or an approved outside option (30 credits)

Two Film Studies modules:

Hollywood Cinema: History, Theory, Industry

This core module will build on what students have learned about Hollywood in first year modules by expanding their knowledge about Hollywood in what has been deemed its ‘classic’ period. The module will illustrate important aspects about the industrial system that dominated Hollywood filmmaking from the late 1920s to the early 1960s, including style, genre, and stars. By first focusing on Hollywood as an industry, examining the practices and cultures of film production, the module will then consider its ideological influence by promoting specific American values and traditions through political issues, such as race and ethnicity.

Read more about the Hollywood Cinema: History, Theory, Industry moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

and

World Cinema

The category of ‘world cinema’ represents a point of convergence for both the flattening impulses of a universalizing neoliberalism and the more radical bents of internationalist coalition-building. In other words, such cinema figures large in affective negotiations of global culture, world community and international human rights. This module looks at the wide range of fictional feature films, including the work of Deepa Metha, Akira Kurosawa, Samira Makhmalbaf and Satyajit Ray, among others. This course addresses several specific topics, including: transnational marketing, the touristic gaze, the politics of dubbing/subtitling, and the slow cinema debates.

This module reassesses ‘world cinema’ in light of globalization and global crises. Since the term ‘world cinema’ has always simultaneously invoked industrial, generic and aesthetic categories, our reckoning of the field hopes to expose otherwise unseen geopolitical fault lines. We investigate the historical and current contexts for the widening distribution of non-Hollywood films. We also examine the renaissance of international art cinema practices in recent decades, including new waves from East Asia, Latin America, and the Middle East.

What you might watch? Run Lola Run (Tom Tykwer, 1998); Aguirre, the Wrath of God (Werner Herzog, 1972); Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974); Good Bye Lenin! (Wolfgang Becker, 2003); The Baader Meinhof Complex (Uli Edel, 2008); Stray Dog (Akira Kurosawa 1949); Sansho Dayu (Kenji Mizoguchi, 1954); Tokyo Story (Yasujiro Ozu, 1953); Crazed Fruit (Ko Nakahira, 1956); Face of Another (Hiroshi Teshigahara, 1966); Ring (Hideo Nakata, 1998); My Neighbour Totoro (Hiyao Miyazaki, 1988); Still Walking (Hirokazu Kore-eda, 2008); Pather Panchali (Ray, 1955); Riso Amaro / Bitter Rice (Giuseppe De Santis, 1949); Rashomon (Kurosawa, 1950); De cierta manera / One Way or Another (Sara Gómez, 1977); The Apple (Samira Makhmalbaf, 1998); What Time Is It There? (Tsai, 2001); Fire (Deepa Metha, 1996); Lan Yu (Stanley Kwan, 2001); Peking Opera Blues (Tsui, 1986)

Read more about the World Cinema moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Final Year

Modern German Language 3

In this third-year module, you will use vocabulary of increasing sophistication in both general and specialised fields, and improve your skills in spoken and written German and translation. You will improve your listening and reading comprehension skills, and learn to identify and rectify grammatical errors. An important aim of the course is to cultivate sensitivity towards language in general, and an awareness of register, semantics and style.

Read more about the Modern German Language 3 moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

German cultural module:

The Rise of Capitalist Modernity: Gender, Class, Identity

You will study the evolution of modern German literature, from Poetic Realism, through Naturalism and Modernism across a wide spectrum of authors, genres and themes in dialogue with major social, cultural and political movements that mark the transformation of Germany and Austria from the 1870s onwards. Themes include the Industrial Revolution, social critique and the dramatic form, sexuality, adolescence and education in the Wilhelmine period, gender roles and modernity, and the lead-up and response of German writers to the First World War. You will analyse major literary movements through the work of, among others, Theodor Fontane, Gerhart Hauptmann, Arthur Schnitzler, Franz Kafka, Thomas Mann and Georg Kaiser, and appreciate how the arts became a vehicle for expressing ambivalent attitudes to modernity.

Read more about The Rise of Capitalist Modernity: Gender, Class, Identity moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2023/24 year of study).

Plus an optional module in the School of Modern Languages and Cultures or an approved outside option (30 credits)

A Film Studies module:

Film Aesthetics

You will begin by exploring overarching ideas about aesthetics and how these relate to evaluative, historical and political discourses. The study of film aesthetics will subsequently see you applying these tenets to the evaluation and interpretation of film, particularly in the light of considerations of representation, mode and genre, and social context. By bringing together philosophical and theoretical questions of aesthetics with detailed textual analysis of a range of films, you will learn to apply such concepts to your understanding of contemporary international cinema.

Read more about the Film Aesthetics module, including the methods of teaching and assessment (content applies to 2024/25 year of study):

• Film Aesthetics 1Link opens in a new windowLink opens in a new window
• Film Aesthetics 2Link opens in a new window

New:

Building on the strong interdisciplinary links between German and Film and Television Studies, this degree combines in-depth study of cinema in German culture with the opportunity to explore wider aspects of film and other cinematic cultures.

In your first year, you will take language classes designed to develop your knowledge and understanding of written and spoken German. To complement your language skills, you will follow a programme focussing on contemporary German society and the origins of modern German culture in the late eighteenth century. This provides an excellent and comprehensive foundation for studying further aspects of German literary, visual and political culture in the later stages of your degree. You will also study two core Film Studies modules, which will introduce you to key concepts and landmarks from film history and develop your familiarity with methods for film analysis.

In your intermediate and final years, you will take modules that further develop your German language skills and cultural expertise. Alongside the core language module, you will have an opportunity to develop your own particular interests by choosing from a wide selection of modules offered by German specialists that cover a broad range of subjects in German culture, society, literature, politics, philosophy, film, history, and business, as well as translation and transnationalism. You can also opt to study some of our interdisciplinary cross-School modules.

You will continue to spend a quarter of your time on Film Studies. Core modules in World Cinemas and Hollywood Cinemas in intermediate year will build on the foundations of the first year to help you apply theories and analysis methods to films from different national contexts. In final year, you will be able to select from a range of optional modules that develop your own specialist interest in areas such as ‘Queer Cinema’, ‘The Art of Animation’, ‘Transnational Action Cinema’, and ‘Contemporary Latin American Cinema’.

You can choose to spend your year abroad studying at a university in a German-speaking country, or on a British Council Assistantship or a work placement.

Year One

Modern German Language 1

You will develop your translation, grammatical and speaking skills in German, and in doing so broaden your vocabulary and range of idiom, expression and awareness of various stylistic registers. You will work in a pair or group on a media project under the supervision of a tutor, which will contribute to your end-of-year mark in spoken German.

Read more about Modern German Language 1Link opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

or

Modern German Language for Beginners

As a beginner in the acquisition of the German language, you will cover the main linguistic skills in speaking, listening, writing and reading. You will focus on gaining grammatical accuracy as well and communicative fluency and competence. By the end of the year, you will be expected to be able to sustain everyday conversations in German, read authentic texts such as newspaper articles, follow the gist of TV extracts and be able to write an intermediate range of texts in German. You will also work on basic translations to and from German as a means of consolidating your knowledge.

Read more about the Modern German Language for Beginners moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

German Studies module:

Provincial - Pariah - Powerhouse: Reading German-language Culture in a Global Perspective

This module introduces landmarks in the history of modern Germany, which emerged as a nation out of a confederation of provinces and principalities in the 19th century. You will touch on the political turmoil, conflicts, and violence that at times made Imperial Germany, the Third Reich and the post-1945 Germanies pariah states in the eyes of the international community. You will also reflect on the developments that led to contemporary Germany's’emergence as a cultural, political and economic powerhouse, shaping global trends in film, literature, theatre and music. The module focuses on the media and representations through which many of us first encounter German-language culture: fairy-tales and their afterlives; performance, visual and screen culture; music and sound. In other words, students will sample the works and ideas that have put Germany and the German language on the world map.

We will engage with a number of key questions. How did German literature, film, art, and music transform the status of the German language? How did German-speaking artists shape the cultural genres that we consume today? How does engaging with these works give us a more differentiated understanding of the positive and negative aspects of Germany's’history and its global influence?

The module will help you develop skills that will be essential for the rest of your degree and your life after Warwick: critical reading; clear and concise argumentation; excellent written and oral communication skills; independent thinking and research.

Read more about Provincial - Pariah - Powerhouse: Reading German-language Culture in a Global PerspectiveLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Independent Project

This module enables students to spend some time developing their independent working and in particular to build research skills for the later stages of their undergraduate degree. The module comprises a series of skills sessions on undertaking undergraduate research, tutorials with the module leader, along with a set of supervisory meetings with the project supervisor. In addition to producing work in a range of formats in the course of the year, linked to an aspect of the culture of their chosen language and the study of modern languages at university level, students will be supported to produce an end product related to their specific area of interest and linked to the curriculum for their other first-year cultural module. The end product will be an appropriate piece of work such as a mini dissertation.

Read more about the Independent Project in Modern Languages moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Two modules from Film Studies:

Film History and Methods

This module will focus on film and history, exploring the various ways film texts have been analysed as reflecting social and cultural historical moments, filmmaking movements of particular eras, and how films have historicised individuals and events. There are many ways to ‘do’ film history and this term will not be an exhaustive survey of the history of cinema. Instead, it will offer some key contexts, methodologies, and traditions that have formed the wide-ranging study of film and history.

Read more about the Film History and Methods moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

and

Film Analysis and Methods

This module is concerned with the close reading and interpretation of film texts through close textual analysis. Over the course of the module, you will acquire the skills and vocabulary necessary to analyse the ways in which meaning is conveyed through the formal properties of film. This module is also concerned with the broader applications of close textual analysis. By the end of the module and you should be confident in applying your skills of textual analysis in order to interrogate the political dimension of audio-visual texts.

Read more about the Film Analysis and Methods moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Intermediate Year

Modern German Language 2

In this second-year module, you will increase your general and specialised vocabulary in German through translation into English and German, essay-writing in German, spoken and listening comprehension, and work on business-related materials. In pursuit of these aims, you will learn to identify and rectify grammatical errors, and gain increased sensitivity towards language in general, and an awareness of register, semantics and style in particular. You will also gain important language research skills, including correct use of dictionaries.

Read more about Modern German Language 2Link opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

Two Film Studies modules:

Hollywood Cinema: History, Theory, Industry

This core module will build on what students have learned about Hollywood in first year modules by expanding their knowledge about Hollywood in what has been deemed its ‘classic’ period. The module will illustrate important aspects about the industrial system that dominated Hollywood filmmaking from the late 1920s to the early 1960s, including style, genre, and stars. By first focusing on Hollywood as an industry, examining the practices and cultures of film production, the module will then consider its ideological influence by promoting specific American values and traditions through political issues, such as race and ethnicity.

Read more about the Hollywood Cinema: History, Theory, Industry moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

and

World Cinema

The category of ‘world cinema’ represents a point of convergence for both the flattening impulses of a universalizing neoliberalism and the more radical bents of internationalist coalition-building. In other words, such cinema figures large in affective negotiations of global culture, world community and international human rights. This module looks at the wide range of fictional feature films, including the work of Deepa Metha, Akira Kurosawa, Samira Makhmalbaf and Satyajit Ray, among others. This course addresses several specific topics, including: transnational marketing, the touristic gaze, the politics of dubbing/subtitling, and the slow cinema debates.

This module reassesses ‘world cinema’ in light of globalization and global crises. Since the term ‘world cinema’ has always simultaneously invoked industrial, generic and aesthetic categories, our reckoning of the field hopes to expose otherwise unseen geopolitical fault lines. We investigate the historical and current contexts for the widening distribution of non-Hollywood films. We also examine the renaissance of international art cinema practices in recent decades, including new waves from East Asia, Latin America, and the Middle East.

What you might watch? Run Lola Run (Tom Tykwer, 1998); Aguirre, the Wrath of God (Werner Herzog, 1972); Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974); Good Bye Lenin! (Wolfgang Becker, 2003); The Baader Meinhof Complex (Uli Edel, 2008); Stray Dog (Akira Kurosawa 1949); Sansho Dayu (Kenji Mizoguchi, 1954); Tokyo Story (Yasujiro Ozu, 1953); Crazed Fruit (Ko Nakahira, 1956); Face of Another (Hiroshi Teshigahara, 1966); Ring (Hideo Nakata, 1998); My Neighbour Totoro (Hiyao Miyazaki, 1988); Still Walking (Hirokazu Kore-eda, 2008); Pather Panchali (Ray, 1955); Riso Amaro / Bitter Rice (Giuseppe De Santis, 1949); Rashomon (Kurosawa, 1950); De cierta manera / One Way or Another (Sara Gómez, 1977); The Apple (Samira Makhmalbaf, 1998); What Time Is It There? (Tsai, 2001); Fire (Deepa Metha, 1996); Lan Yu (Stanley Kwan, 2001); Peking Opera Blues (Tsui, 1986)

Read more about the World Cinema moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

A selection of optional modules in German Studies and the School of Modern Languages and Cultures, including translation and cross-School thematic modules (30-60 credits); an approved outside option (0-15 credits)

Final Year

Modern German Language 3

In this third-year module, you will use vocabulary of increasing sophistication in both general and specialised fields, and improve your skills in spoken and written German and translation. You will improve your listening and reading comprehension skills, and learn to identify and rectify grammatical errors. An important aim of the course is to cultivate sensitivity towards language in general, and an awareness of register, semantics and style.

Read more about the Modern German Language 3 moduleLink opens in a new windowLink opens in a new window, including the methods of teaching and assessment (content applies to 2024/25 year of study).

A Film Studies module:

Film Aesthetics

You will begin by exploring overarching ideas about aesthetics and how these relate to evaluative, historical and political discourses. The study of film aesthetics will subsequently see you applying these tenets to the evaluation and interpretation of film, particularly in the light of considerations of representation, mode and genre, and social context. By bringing together philosophical and theoretical questions of aesthetics with detailed textual analysis of a range of films, you will learn to apply such concepts to your understanding of contemporary international cinema.

Read more about the Film Aesthetics module, including the methods of teaching and assessment (content applies to 2024/25 year of study):

• Film Aesthetics 1Link opens in a new windowLink opens in a new window
• Film Aesthetics 2Link opens in a new windowLink opens in a new window