Head of Department Sept 2018-Aug 2021.
Director of Graduate Studies (Summer Term 2019), PI Leverhulme Festivals Project
Tel: 22367; 02476 523023
Email: Z dot L dot Newby at warwick dot ac dot uk
H2.29, Humanities Building, University of Warwick, Coventry CV4 7AL
After studying Classics (Literae Humaniores) at Oxford, Prof Zahra Newby went to the Courtauld Institute of Art, London to study for a Masters in Ancient Art. She stayed at the Courtauld for her doctorate, focussed on Art in the Second Sophistic , under the supervision of Jas' Elsner. Zahra took up her post at Warwick in 2000.
Her research interests lie in art of the Roman empire in its widest cultural contexts, including art in the provinces of the Greek east, the Roman response to Greek culture, ancient funerary art, ancient athletics, festival culture and the relationships between art and text (see further below). She welcomes research students in any of these areas.
She has acted as external examiner for Birkbeck College, London; Glasgow University and Royal Holloway, University of London.
I work on the visual arts of the Roman empire. My doctoral thesis (2000, Courtauld Institute of Art, London) studied the elite art of the middle Roman empire in its social and cultural contexts, particularly in relation to the flowering of Greek culture known as the Second Sophistic. My monograph on Greek Athletics in the Roman World (Oxford, 2005) looks at the visual representation of athletic subjects in the Roman empire and the roles played by athletic activity in the self-representation of cities and individuals and I have also published an introductory book to ancient athletics: Athletics in the Ancient World (Duckworth, 2006). My latest project, funded by the Leverhulme Trust, returns to Greek festival culture in the Roman empire, looking at the active role that visual material culture played in creating the meanings of civic festivals for their participants and spectators.
I am also interested in the links between art and text: I have co-edited a volume on Art and Inscriptions in the Ancient World and have written a number of articles on the viewing of visual images in imperial Greek literature.
Another interest is in the representation of Greek myth. My latest monograph, Greek Myths in Roman Art and Culture (Cambridge University Press, 2016) explores the representation of Greek mythology in Roman art, with a particular focus on domestic and funerary contexts. I have also published a number of articles on mythological sarcophagi and I am currently co-editing, together with Anthropologist Ruth E. Toulson, a volume of papers exploring the active roles played by images in the contexts of grief and remembrance (forthcoming with Routledge 2018). These papers draw on a workshop held at Warwick in May 2016, funded by the Wellcome Trust.
I contributed to the Open University OpenLearn module on The Ancient Olympics, which gained an award for OpenCourseWare Excellence at the Open Educational Resource 2012 conference.
I am committed to conveying my research to a wider audience. In addition to talks at schools, I have also given public educational lectures at Compton Verney, Warwickshire, and the British Museum.
Teaching and supervision
In 2006 I was awarded the Butterworth Memorial Teaching Award by the University.
- Domestic Space in the Roman World
- Art and Architecture of Asia Minor
- Roman Culture and Society
- Greek Culture and Society
- Hellenistic World
- Taught MA in Ancient Visual and Material Culture
- Taught MA in the Visual and Material Culture of Ancient Rome
MA and PhD supervision:
I am keen to supervise topics across the spectrum of ancient art, with particular interests in Roman domestic and funerary art, ancient athletics, art and text, and festival culture in the Roman Empire. Current and past research topics under my supervision include:
- Colour in Greek and Roman Art (PhD, Vicky Jewell, co-supervised with Michael Scott)
- Defining a Late Antique Aesthetic in Art and Text (PhD, Miriam Hay, funded by a Wolfson Fellowship)
- Material Responses to Tyranny (PhD Nigel Heathcote)
- Egyptianising Monuments in Roman Art (PhD, Vanessa Mackenzie, awarded 2012)
- Arena beast and the personal animal: paradox and contrast in the Roman attitude to animals (MA by research, 2011/12; co-supervised with Dr Alison Cooley)
- Expressions of Cultural Identity in Roman Funerary Monuments (MA by research)
- Art and Propaganda in the regimes of Augustus and Constantine (MA by research)
- Director of Graduate Studies for the Department of Classics and Ancient History (2010-2012, 2013-2017)
- Deputy Head of Department, Classics and Ancient History (2016-17)
- Deputy Chair of Arts Faculty Graduate Studies Committee (2014-16).
- The Materiality of Mourning. Cross-disciplinary Perspectives. Ed. with Ruth Toulson (Routledge, 2018).
- Greek Myths in Roman Art and Culture: Imagery, values and identity in Italy, 50 BC - AD 150. (Cambridge University Press, 2016)
- Art and Inscriptions in the Ancient World. Ed. with R. Leader-Newby (Cambridge University Press, 2007)
- Athletics in the Ancient World (Duckworth, 2006)
- Greek Athletics in the Roman World. Victory and Virtue (Oxford University Press, 2005)
- 'Performing the Past: Salamis, Naval Contests and the Athenian Ephebeia', In: T. M. Dijkstra et al eds., Strategies of Remembering in Greece under Rome (Sidestone Press, Leiden, 2017)
- 'Poems in stone: reading mythological sarcophagi through Statius’ consolations'. In: Elsner, J. and Meyer, M., eds., Art and rhetoric in Roman culture. (Cambridge, 2014).
- ‘The Aesthetics of Violence: Myth and Danger in Roman Domestic Landscapes', Classical Antiquity 31.2 (2012) 349-89.
- ‘Displaying Myth for Roman eyes’ and ‘Myth and Death: Roman Mythological Sarcophagi’, in K. Dowden& N. Livingstone eds., Blackwell Companion to Classical Mythology (Wiley-Blackwell, 2011) pp. 265-281 and 301-318.
- 'In the guise of gods and heroes: portrait heads on Roman mythological Sarcophagi’ in J. Elsner & J. Huskinson eds., Life, Death and representation. Some new work on Roman sarcophagi (De Gruyter, 2011) 189-227.
- 'Absorption and erudition in Philostratus' Imagines' in E. Bowie & J. Elsner eds., Philostratus (Cambridge, 2009).
- 'Art at the Crossroads? Themes and styles in Severan Art' in S. Swain, S. Harrison & J. Elsner eds., Severan Culture (Cambridge, 2007).
- 'Landscape and Identity in the Mosaics of Antioch' in C. Adams & J. Roy eds., Travel, geography and Ancient Greece, Egypt and the Near East (Oxbow, Oxford 2007).
- ‘Art History and Aesthetics’ in E. Bispham, T. Harrison and A. Snodgrass eds., Edinburgh Companion to Ancient Greece and Rome (Edinburgh, 2006).
- ‘Testing the boundaries of ekphrasis: Lucian On the Hall’, Ramus 31 (2002) 126–35.
I am a regular peer-reviewer for Classical Journals and publishers. I have acted as a member of Council for the Society for the Promotion of Roman Studies and have served on the JACT Ancient History committee (chair 2007-2010) and the Classical Association Journals Board.
- M.A. (Oxford); M.A. (London)
- Ph.D. (London)