Understanding Lacquer in Early Modern England 1500-1700
(supervised by Professor Anne Gerritsen)
What is lacquer? There is no historical research specially targeted at answering this question on a conceptual level yet, partly because the answer already lays concisely in dictionaries: the term lacquer refers either to a resinous varnish, commonly used as a protective coating to objects, or to the objects whose surface is applied with this material. Existing scholarship is based on this unquestioned assumption that lacquer is a specific material for specific use in early modern period. However, the formation of the concept of lacquer did not take place in an instantaneous or linear manner. Whether it is appropriate to study the cultural value of lacquer while imposing the modern conception of this material into the past, has yet to be discussed.
My research project tries to reveal the continuity, ambiguity and non-lineality of the development of understanding of lacquer in early modern England. By looking at lacquer’s material paths (i.e. ways in which lacquer was possibly processed for different applications in art, medicine and science), I will demonstrate that ‘lacquer’ could refer to multiple things and was assigned with different cultural meanings, which was associated with the context of its use or ways of understanding. Based on this, it is also worth considering how to connect with the material past of lacquer in museums, one of the major places where our experience and understanding of early modern lacquer takes shape.
- Early modern material culture and art history in global context
- Technical art history
- History of knowledge
- 2019 - current: PhD in progress, University of Warwick
- 2018 - 2019: MA Global & Comparative History, University of Warwick
- 2017 - 2018: MA History of Art, University of Warwick
- 2013 - 2017: BA History, University of Macau
Conferences and seminars
- March 2021 ‘Understanding the Fragrance of Lacquer in Early Modern Europe’, at The Eighth Annual Wollesen Memorial Graduate Symposium: Matrix of Mobility: Networks of Objects and Exchange, University of Toronto.
- September 2020 ‘Lacquer to Drink and Eat: An Art Material as Medicine in Early Modern England’, at Material and Visual Culture Seminar Series: Material Culture and the Body, University of Edinburgh.
May 2019 ‘The Formation of Lacquer in Early Modern Europe’, at Department of History Postgraduate Conference, University of Warwick.
- May 2018 ‘The Design and Display of Sixteenth-Century Venetian Maiolica’, at Coventry University-University of Warwick, Second Joint Visual Arts-History of Art Post-Graduate Research Symposium, Coventry University.
- 'Understanding the Fragrance of Lacquer in Early Modern Europe', The Wollesen: University of Toronto Art Journal 9:1 (2021), pp. 68-76.
- May 2021 ‘Rendering the Surface: Representing Lacquerware in Early Modern European Paintings’, Global History and Culture Centre Blog
- June 2021 ‘Lacquer as Art and Medicinal Material in Early Modern England’, History: The Journal of the Historical Association Blog
- October 2020 Guest lecturer in one session of MA course: The Visual and Material Culture of Exchange in Asia and Europe, 1500-1800, co-teach with Prof. Anne Gerritsen, Leiden University.
- 2021 - 2022 Warwick Humanities Research Centre Doctoral Fellowship
- 2016 - 2017 Wu’s Group Academic Prize
- 2015 - 2016 Rector’s Honour List; Nam Kwong Education Scholarship; ICBC Macau Scholarship
- 2013 - 2016 Dean’s Honour List in six semesters
- 2014 - 2015 Henry Fok Foundation Scholarship
2013 - 2014 Nam Kwong Education Scholarship