1. Debord employs Marxist concepts and categories such as the commodity, value etc-- whilst effectively undermining the primacy of labour that they rely upon. In what ways does Debord move beyond classical approaches to labour’s status, and how might we read his thesis alongside Postone’s reformulation of Marxist concepts of labour and value.

2. Debord's claims that the spectacle exhibits the “principle of commodity fetishism”. Does his understanding of commodity fetishism differ from classical marxist understanding of the fetish? 

3. “All that was once directly lived has become mere representation”

"The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images”.

Discuss these two quotes in relation to the image

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