Tel: +44 (0)24 7652 3346
Email: J dot E dot Skinner at warwick dot ac dot uk
Humanities Building, University of Warwick
Dr Jonathan Skinner is Reader in English and Comparative Literary Studies and teaches Creative Writing and Ecocriticism. His interests include Contemporary Poetry and Poetics; Ecocriticism and Environmental Studies; Small Press Culture; Sound Studies; Critical Theory; and Translation. He is founder and editor of ecopoetics, a journal which features creative-critical intersections between writing and ecology.
My main interests are ecopoetics and contemporary poetry and poetics (mostly North American, but with an international scope and emphasis). I have published critical essays on Charles Olson, Michael McClure, Ronald Johnson, Lorine Niedecker, Mei-mei Berssenbrugge, and Bernadette Mayer, translations of French poetry and garden theory, essays on bird song from the perspective of ethnopoetics, and essays on horizontal concepts such as the Third Landscape. Currently, I am writing a book of investigative poems on the urban landscapes of Frederick Law Olmsted, editing an anthology of ecopoetics for a university press, and pursuing a creative-critical project in acoustic ecology, called Vibrational Communication.
Teaching and supervision
My modules include:
- EN124 Modes of Writing: An Introduction (Unit 2: Writing Poetry)
- EN232 Composition & Creative Writing (Science Writing Unit)
- EN238 Practice of Poetry
- EN248 Modern American Poetry (Term 2: Post-war American poetry and poetics)
- EN355 Ecopoetics
- EN368 The Question of the Animal
- EN389 Small Press Publishing
- EN908 Writing Poetry
- EN991 Ecopoetics Workshop
- EN9B7 Small Press Publishing
Current PhD supervision:
Tom Crompton, “Vernacular Tactics: Post-Industrial Ecologies and Experimental Poetries”
September 2019 -
Wolfson Postgraduate Scholarship
Sam Weselowski: “The Poetics of Scale: Form, Ecology and Critique”
September 2019 -
Chancellor's International Scholarship
I have supervised MA dissertations in modernist poetry and ecocriticism, as well as Long Projects in Poetry
(Creative Writing) with the Warwick Writing Program.
I welcome supervisions in the areas listed under my research interests.
- “Stirrup Notes: Fragments on Listening,” Writing the Field Recording: Sound, Word, Environment, ed. Stephen Benson and Will Montgomery (Edinburgh University Press, 2018)
“Visceral Ecopoetics in Charles Olson and Michael McClure: Proprioception, Biology, and the Writing Body,” Ecopoetics: Essays in the Field, ed. Angela Hume and Gillian Osborne (University of Iowa Press, 2018)
“Ecopoetics,” American Literature in Transition 2000-2010, ed. Rachel Greenwald Smith (Cambridge University Press, 2017)
“Call the Pulsing Home: Poetry, Fascination and Resonance in Ecocritical Environments,” Ecocriticism: Environments in Anglophone Literatures, ed. Sonja Frenzel and Birgit Neumann (anglistik & englischunterricht, 2017)
“Vibrational Communication: Ecopoetics in the Seismic Channel,” Big Energy Poets: Ecopoetry Thinks Climate Change, ed. Heidi Lyn Staples and Amy King (BlazeVOX [books], 2017)
"Gardens of Resistance: Gilles Clément, New Poetries, and Future Landscapes." Qui Parle, Special Issue: At the Intersections of Ecocriticism, ed. Katrina Dodson. 19.2 (Spring/Summer 2011).
"Thoughts on Things: Poetics of the Third Landscape," )((eco (lang) (uage (reader)), ed. Iijima, Brenda (Portable Press at Yo-Yo Labs and Nightboat Books, 2010)
- Chip Calls (Little Red Leaves, 2014)
- Birds of Tifft (BlazeVOX [books], 2011)
- Warblers (San Francisco: Albion Books, 2010)
- Political Cactus Poems (Palm Press, 2005)
- In Praise of Vagabonds (selections) by Gilles Clément. Qui Parle 19.2 (Spring/Summer 2011).
- "Toto," Ma Langue est Poétique--Selected Work, Christophe Tarkos (Roof Books, 2000)
- ecopoetics, vols. 1-7 (2001-2007)
- Jacket2 Commentaries
- "Statement of Poetic Research." Common-place. Vol. 11, no. 4.5. September 2011.
Office hours (Term 1)
Tuesdays and Thursdays, 2-3pm
in H5.44 (Humanities)
or by appointment