My research interests lie primarily in nineteenth- and twentieth-century American literature and culture, especially as they relate to the history and legacies of slavery and emancipation. I also have interests in novel studies, temporality, utopianism, and the relationship between the intellectual histories of race, colonialism, and Marxism.

My first monograph, published in 2024 with Louisiana State University Press' "Southern Literary Studies" series, is a study of the narrative culture of the Reconstruction period in the US, titled America’s Imagined Revolution: The Historical Novel of Reconstruction. The book offers the first formal and historical account of novels about the Reconstruction period as constitutive of a coherent, if evanescent, aesthetic genre: the historical novel of Reconstruction. Focusing on writers such as George Washington Cable, Frances Harper, Albion Tourgée, Charles Chesnutt and W.E.B. Du Bois, I argue that this aesthetic form provides us with a resource for understanding the process of slave emancipation as revolutionary history, a conjunction that has proved difficult to theorise in both the intellectual histories of slavery and revolution.

My Leverhulme project was a study of the curiously entwined intellectual and cultural histories of proslavery and black radical thought, entitled Shadowing the Master Class: Proslavery in the Black Radical Imagination. The project focuses on the imagined futures and speculative cultures fostered by nineteenth-century proslavery utopians in fiction, political economy, law, and periodical culture. Tracing the way that black radical authors in particular creatively re-voiced the desires and anxieties articulated by this reactionary archive, I argue that proslavery’s foreclosed imagined futures influenced the development of literary form in the long nineteenth century, as well as giving rise to radical narratives and critiques of slavery, colonialism, and capitalism beyond that period. Writing from this project has appeared in American Literary History and the edited collection, Crossings in Nineteenth-Century American Culture.