Novelist Sarah Moss and literary translator Chantal Wright from the Warwick Writing Programme will lead a discussion on international women’s literature and the new Warwick Prize for Women in Translation on Wednesday 22 November, 7 - 8.15 p.m., at Warwick Books in Warwick town centre. You may want to read one or more of the six books shortlisted for this year’s prize and come along with your thoughts but you can also simply join us for the discussion – all welcome! Please e-mail translation@warwick.ac.uk to reserve your spot. Supported by the Connecting Cultures GRP, Warwick Books and Harper Collins Independent Thinking.

The competition received a total of 58 eligible entries of which 16 titles made the initial longlist. The shortlist comprises a novel, a novella, a children’s book, a collection of poetry and a volume of short stories. The source languages represented are Polish and German, with two shortlisted titles apiece, as well as Irish and Russian.

The full list of shortlisted titles is as follows: 

- Second-hand Time by Svetlana Alexievich, translated from Russian by Bela Sheyavich (Fitzcarraldo Editions, 2016)

- Swallow Summer by Larissa Boehning, translated from German by Lyn Marven (Comma Press, 2016)

- Clementine Loves Red by Krystyna Boglar, translated from Polish by Antonia Lloyd-Jones and Zosia Krasodomska-Jones (Pushkin Children’s Books, 2016)

- The Coast Road by Ailbhe Ní Ghearbhuigh, translated from Irish by Michael Coady, Peter Fallon, Tom French, Alan Gillis, Vona Groarke, John McAuliffe, Medbh McGuckian, Paul Muldoon, Michelle O’Sullivan, Justin Quinn, Billy Ramsell, Peter Sirr and David Wheatley (The Gallery Press, 2016)

- Swallowing Mercury by Wioletta Greg, translated from Polish by Eliza Marciniak (Portobello Books, 2017)

- Memoirs of a Polar Bear by Yoko Tawada, translated from German by Susan Bernofsky (Portobello Books, 2016)

Click here for more information on the Prize for Women in Translation and Translation at Warwick.

The Times/Sunday Times’ Good University Guide 2018 rankings were published recently, and the department continues its strong performance in national and international league tables. For Creative Writing, the department's Warwick Writing Programme is ranked at number 1 in the UK. For English, we are 10th, and for Theatre Studies (categorised as Drama, Dance and Cinematics), 6th.

Other Warwick departments with joint degrees with English have also performed strongly, including modern languages (French, German, Italian, Iberian Studies), Classics, Philosophy, and History. For the full details, please see here.

The Times/Sunday Times’ Good University Guide 2018 has ranked 22 subjects at the University of Warwick in the UK’s top 10 for their field, with the Warwick Writing Programme ranked again 1^st for Creative Writing. For English we are placed at 10th. To see full details, including for those departments with which we have joint degrees (Theatre, Film, Philosophy, Modern Languages (French, German, Italian, Hispanic Studies), Classics, and History) please see the press release here.

She was awarded the prize for Adventures in Synthetic Fun, an essay exploring the concept of ‘synthetic fun’ coined in the 1960s by Jeremy Sandford, and the changing nature of fun in an era of increasing automation, disputed oppression, widespread affective labour, illusory meritocracy, costly social mobility, divisive politics, and a degraded imagination.

Katy studied on the BA English Literature and Creative Writing and the MA in Writing in the department.