Christian Marclay, The Clock, as seen at the Tate Modern (2018-19)
Dr Laura Schwartz
Delighted to discuss ideas, problems, and assessment work with you during my office hours at any point during the term.
This module explores modernity - both as a historical period and an intellectual project. We explore a different aspect of modernity each week by reading one seminal historical or theoretical work, in dialogue with the broader historiographical debates to which it speaks. The module is relatively unusual in offering students the opportunity to engage in depth with a single text, in order to acquire a strong grasp of the intellectual interventions that have defined the modern period.
- To gain an overview of themes and thinkers that have defined both the concept of modernity and the 'modern' period.
- To challenge students to engage with seminal works in their entirety.
- To gain the skills to locate individual intellectual interventions within wider historiographical debates.
What to Expect…
Each week students will meet with a different lecturer to study a theme relating to that faculty member’s particular area of expertise. Although there is a strong theoretical focus to the module it will complement rather than replicate the TSM module. Whereas TSM offers students an overview of how a concept such as, for example, gender, has been defined and used by historians, the Modern History core module will focus on a single text to explore in detail how that concept has been deployed in a particular historical and historiographical context, namely within modernity. We will be asking what is distinct about such concepts in the modern world – for example, how does gender in the modern world manifest itself differently from in the medieval world, and how might a historian of the modern period use the concept differently than a historian of an earlier period?
Students should come to the seminar having completed all the core reading and as much of the further reading as possible. They should think about the below questions in advance:
- What are the key concepts around which this text is structured? Is this author defining them differently from other authors you have encountered?
- How is the author applying them to either a particular historical period or area of study?
- How might such concepts apply to your particular area of historical interest/ proposed dissertation topic?
Talis link to our course is here
Week 10: Bodies (Claire Shaw) [NB this takes place at the earlier time of 9am - 11am room tbc]
At the end of the module students should be able to:
- Demonstrate a conceptual and practical understanding of the skills of an historian of the modern era.
- Demonstrate the ability to formulate and achieve a piece of critical and reflective historiographical writing.
- Demonstrate the ability to undertake critical analysis.
- Demonstrate the ability to formulate and test concepts and hypotheses.
One 6,000 word essay, to be submitted via Tabula at 12 noon, week 10 of term 1.
Essay questions are provided under the seminar reading list or you can devise your own with the approval of the module convenor. The purpose of the essay is for you to engage with the major concepts discussed in the seminar in a broad way. This means that we expect you to read beyond the required reading, and use these further secondary sources to expand out our class discussion. Primary research is not expected as part of this essay. Rather, what we are looking for are compelling arguments in answer to the question, which demonstrate intelligent, thoughtful, and lucid reflections on the ways in which historians have written and continue to write on themes in modern history. Further details will be given in the initial seminars of the year and marking criteria provided.
|Time||10-12 (except weeks 5 and 10 - see below for details)|
|MS.04 (except weeks 5 and 10 - see below for details)|