Skip to main content Skip to navigation

Dr Susannah Wilson

Reader in French Studies

Director of Student Wellbeing (SMLC) and Senior Tutor

Email: S dot M dot Wilson at warwick dot ac dot uk

Office: FAB 4.43

Faculty of Arts Building, University Road, University of Warwick

Coventry, CV4 7AL

Research interests

My research interests focus on nineteenth- and early twentieth-century French history, culture, and literature. I have published on medical and cultural history; women's lives and writing; sex, gender, pathology and criminality; the history of the French psychological sciences; and different forms of self-writing (correspondence, memoir, etc.)

My next book will be published with Cornell University Press in 2025, under the title A Most Quiet Murder: Maternity, Affliction, and Violence in Late Nineteenth-Century France. It is a microhistory of an obscure murder case that briefly caused sensation in 1880s Dijon. The book explores the psychology and culture of motherhood, childbirth and child loss, poverty and dispossession, and taboos around female violence.

My first book, Voices from the Asylum: Four French Women Writers, 1850-1920 (Oxford University Press, 2010) investigated the lives and writings of a number of women incarcerated in French psychiatric hospitals in the nineteenth and twentieth centuries.

In 2018 I was awarded a Leverhulme Research Fellowship to write a cultural history of morphine in France from c. 1870-1940. The first output from this project is my forthcoming monograph, A Most Quiet Murder (see above). I am also preparing a second monograph on literary representations of morphine use and abuse in France from 1870 to the 1930s. The idea for my book on morphine addiction in France grew out of a previous research project, a British Academy Postdoctoral Research Fellowship which I held from 2011-2014 and which focused on the suffering body in women's writing. I have been invited to present papers and presentations on these research findings at conferences and seminars in Warwick, Oxford, London, Paris, Mexico City and elsewhere.

In March 2015 I was awarded a British Academy Rising Star Engagement Award to fund and facilitate a series of events on the subject of 'Cultures of Addiction since 1800'. This research network has resulted in the publication of a sole-edited book, Prohibitions and Psychoactive Substances in History, Culture and TheoryLink opens in a new window, published with Routledge in 2019.

I am also interested in oral history and the recording of women's lives, and I have written for non-academic audiences on this subject. My recent book, Now We Are Forty (2023), traces the lives of a small group of British women born in the 1970s who reached middle age in the late 2010s. It is available in paperback and on Kindle and has some good reviews on Amazon!

I welcome enquiries from potential MA and PhD students looking to work in my area of research specialism.

I also have three years of secondary-school teaching experience in state and private schools.

Teaching and supervision

  • French translation
  • FR326: The City of Paris and the Modern Imagination
  • FR121: The Story of Modern France
  • PhD supervision:
    • Ambra Minoli
    • Abigail Coppins

Administrative roles

  • SMLC Director of Student Wellbeing (Senior Tutor) (2024-)
  • Head of French Studies (2020-2023)
  • Senior Tutor in French (2016-18)

Publications

Books:
  • A Most Quiet Murder: Maternity, Affliction and Violence in Late Nineteenth-Century France (Cornell University Press: Forthcoming, 2025). Monograph.
  • Prohibitions and Psychoactive Substances in History, Culture and Theory (London: Routledge, 2019). Edited book.
  • Voices from the Asylum: Four French Women Writers, 1850-1920 (Oxford University Press, 2010). Monograph.
Current book project:
  • Morphine Manias: Narratives of Addiction in French Literature and History, 1870-1930. Monograph (in preparation).
Books for a non-academic audience:
  • Now We Are Forty: Conversations With Women (2023). Available to read here.
Articles and book chapters (peer reviewed):
  • 'Two Generations of British Women', Oral History, Spring 2024, vol. 52, no. 1. (March/April 2024).
  • ‘To whom does a Letter Belong? Psychopathology and Epistolography in the Asylum Letters of Antonin Artaud and Camille Claudel’, Modern Languages Open, 2021, vol. 1, no. 1: 1-18.
  • ‘Morphinisé/morphinomane/morphinée: cultural representations of a French opioid crisis, 1870–1940’. Contemporary French Civilization, vol. 44, no. 4 (2019): 332-357.
  • ‘A Medicine for the Soul: Morphine and Prohibition in the French Cultural Imagination, 1870-1916,’ in Susannah Wilson (ed.) Prohibitions and Psychoactive Substances in History, Culture and Theory (London: Routledge, 2019): 51-70.
  • ‘Introduction,’ in Susannah Wilson (ed.) Prohibitions and Psychoactive Substances in History, Culture and Theory (London: Routledge, 2019): 1-9.
  • ‘Emaciation as a Subversive Strategy in the Goncourts’ Renée Mauperin and an Early Case of Hysterical Anorexia,’ in Medicine and Maladies: Representing Affliction in Nineteenth-Century France, ed. Sophie Leroy (Leiden: Brill, 2018): 154-170.
  • ‘Gender, Genius and the Artist’s Double Bind: The Letters of Camille Claudel, 1880-1910,’ Modern Language Review, Vol. 112, No. 2 (April 2017): 362-80.
  • ‘Anorexia and its Metaphors,’ Exchanges, Vol. 3, No. 2 (April 2016): 216-226.
  • ‘The Iconography of Anorexia Nervosa in the Long Nineteenth Century’, in Picturing Women’s Health, ed. by Kate Scarth, et al. (London: Pickering and Chatto, 2014): 77-104.
  • ‘Writing from the Asylum: Re-assessing the Voices of Female Patients in the History of Psychiatry in France’, in Being Human: Reflections on Mental Distress in Society, ed. by Alastair Morgan (Ross-on-Wye: PCCS Books, 2011): 99-109.
Reviews:
  • Foreign Artists and Communities in Modern Paris, 1870-1914: Strangers in Paradise, by Karen L. Carter and Susan Waller (eds), Modern & Contemporary France, Vol. 25, No. 3 (2016): 336-337.

  • Suzanne Noël: Cosmetic Surgery, Feminism and Beauty in Early Twentieth-Century France, by Paula J. Martin, Gender and History, Volume 28, Issue 1 (April 2016): 227–228.

  • Without Ground: Lacanian Ethics and the Assumption of Subjectivity, by Calum Neill, French Studies, Vol. 69, No. 3 (2015): 413-414.

  • Stendhal's Less-Loved Heroines: Fiction, Freedom, and the Female, by Maria C. Scott, Modern Language Review, Vol. 109, No. 4 (2014): 1084-1085.

  • The Man Who Thought He Was Napoleon: Toward a Political History of Madness, by Laure Murat,Nineteenth-Century French Studies, Vol 43, No. 3 & 4 (Spring-Summer 2015): 1259.
  • Autour de l’extrême littéraire, ed. by Alastair Hemmens and Russell Williams, French Studies, Vol. 67, No. 4 (2013): 582-583

Translations:
  • I provided new translations from the French for a Penguin Classics edition of Charles Darwin's Expression of the Emotions in Man and Animals (2005), ed. by Dr Michael Neve and Dr Sharon Messenger of the Wellcome Trust Centre for History of Medicine, UCL.

Engagement

Qualifications

BA, MA (Manchester), Licence ès Lettres Modernes (Bourgogne), D.Phil (Oxford). I have also completed the Warwick PCAPP qualification (Postgraduate Certificate in Academic and Professional Practice) and I am a Fellow of the Higher Education Academy.

Office: FAB 4.43

Advice and feedback hours:

I am available to meet students at the following times during the academic year 2024-25:

Wednesdays 12-1pm (on Teams)

Fridays 11am-12pm

I also have availability for in-person meetings at other times on Tuesdays and Thursdays throughout the year. Please feel free to email me to make an appointment. Monday is my research day and I am not available.

Teaching

Undergraduate modules taught

FR2012 and FR3012 (translation)

FR362 The City of Paris and the Modern Imagination

FR231 Modern Masterpieces

Front cover of Now We Are Forty