Dr James Hodkinson and Dr Silke Horstkotte publish a special edition of 'Poetics Today' on 'Postsecularisms.'
"In extending the discussion about postsecularities to hitherto neglected media, the increasingly self-reflexive nature of what we are calling postsecular art becomes apparent—and this is of particular interest to us in this volume. Working in the early twenty-first century, the writers, jazz musicians, TV directors, producers, and performance artists whose work we discuss appear to be thinking quite explicitly about not only how religion has returned to inflect and complicate their artistic visions but also how their art can comment upon and shape renewed perceptions of religion and religious experience. They show how aesthetic practice itself can constitute a postsecular stance, thus inviting a corresponding stance on the part of researchers."
The edition also carries an article by Reader in French at Warwick, Dr Douglas Morrey.
Di Zhao has published a Chinese translation of Lacey Cep's Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee
Di Zhao, PhD student in Translation and Cultures in Warwick's School of Modern Languages & Cultures, has published a translation into Chinese of the award-winning true-crime book Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee by Casey Cep (William Heinemann, 2019). The translation was published by Straits Literature and Art Publishing House in Fuzhou, China in July 2020. https://book.douban.com/subject/35092879/
Dr James Hodkinson publishes a major volume surveying the position of German language culture in academia and beyond.
Over several years, working with Dr Benedict Schofield (KCL) James Hodkinson has curated an important volume of essays that asses the state of German Studies in education, but also in the worlds beyond it. Published by Camden House (Boydell & Brewer), James has written a blog reflecting on the book and its relevance. Read the entry here!
new free-to-view article by Oliver Davis: 'Neoliberal capitalism's bureaucracies of "governance"'
The account of bureaucracy under neoliberal capitalism which I present in this article, under the innocuous heading it prefers to use to describe itself (‘governance’), draws together recent critical work by the late David Graeber, Wendy Brown, William Davies and Pierre Dardot and Christian Laval, which it repositions in relation to Jacques Rancière’s conception of the ‘police order’. I suggest that the massive production of insecurity by proliferating bureaucracies which structure neoliberalism’s project of competitive hierarchisation creates the ideal conditions for a vicious circle of securitarian inflation. To read the full article click here
New article: Kate Astbury and Diane Tisdall, ‘Sonorising « La Forteresse du Danube » : Functions of music in Parisian and provincial melodrama of the early nineteenth century’
The combination of spectacle and elaborate scenery, orchestra and obligatory dance number made early nineteenth-century French melodrama expensive to produce and, consequently, the genre is strongly associated with the Parisian boulevard theatres. Provincial performances required creative solutions, not least because the music composed for – and central to – the Paris performances remained in manuscript form and was not, therefore, distributed automatically to regional theatres, whereas the play text was printed and widely available. This means that different scores existed for the same play, opening up the possibility that provincial audiences were presented with a different concept of melodrama to Parisians. Using as a case study La Forteresse du Danube (1805) by self-proclaimed leading exponent of the genre, Guilbert de Pixerécourt, this article will explore how comparing scores through performance-led research can further our understanding of the changes needed to make a Paris hit performable in the provinces.
For more, see Studi francesi, 191 (autumn 2020), pp. 248-360.
New book: Douglas Morrey, The Legacy of the New Wave in French Cinema, Bloomsbury, 2019
Douglas Morrey has recently published a major new appraisal of the legacy of the French New Wave
The book looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. It is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honoré, François Ozon and Jacques Audiard.
Congratulations to Helmut Schmitz and Peter Davies on their special edition of the EDINBURGH GERMAN YEARBOOK 11
Love, Eros, & Desire in Contemporary German-Language Literature & Culture
Edited by HELMUT SCHMITZ & PETER DAVIES
Professor Nick Hewlett is interviewed by the State of Nature Blog on Marx and political violence based on his recent book Blood and Progress. Violence in Pursuit of Emancipation
Congratulations to Rosalind Harvey on being longlisted for the International Dublin Literary Award 2018!
Congratulations to Hispanic Studies' Rosalind Harvey, whose translation of Juan Pablo Villalobos' novel I'll Sell You a Dog has been longlisted for this year's International Dublin Literary Award!
Dr James Hodkinson and Professor Karen Leeder (Oxford) launch a creative writing competition on Monday 25 Sept.
The Department of German Studies and the School of Modern Languages and Cultures played host to British and Irish-based Germanists of all backgrounds last week, from 5-7 September. A brief preview follows.
Touring exhibition opens: 'Following Islam through German History, 1770-1918.'
Dr James Hodkinson's touring exhibtion has now opened in schools in Surrey. It will be touring educational institutions in the UK over the next 12-18 months.
The exhibition takes visitors on a journey through representations of Islam in German-speaking culture from the late Enlightenment to the Great War of 1914-1918. Looking at texts and images, it tracks the shifting values and functions attributed to Islam in German and Austrian society, culture, thought and politics, highlighting both the Islamophobia and Islamophilia of the age and asking visitors to reflect on how these patterns are still with us today.