Arising from a Warwick-Monash Alliance collaboration, with Dr Chris Watkin, undertaken during the Covid years, this new edited volume considers whether autonomy is still a useful concept today. Is the Enlightenment understanding of autonomy still relevant in addressing contemporary challenges? How have the limits and possibilities of autonomy been transformed by recent developments in artificial intelligence and big data, political pressures, intersecting oppressions and the climate emergency? The challenges to autonomy today reach across society with unprecedented complexity, and in this book leading scholars from philosophy, economics, linguistics, literature and politics examine the role of autonomy in key areas of contemporary life, forcefully defending a range of different views about the nature and extent of resistance to autonomy today. These essays are essential reading for anyone who wants to understand the predicament and prospects of one of modernity’s foundational concepts and one of our most widely cherished values. Oliver Davis's chapter, on conceptualising the role of patient autonomy in psychedelically assisted psychotherapy, can be viewed Open Access here. 

Transnational Modern Languages: A Handbook, ed. by Jennifer Burns and Derek Duncan (Liverpool University Press, 2022). The cornerstone volume of the 'Transnational Modern Languages' series: 37 short essays on keywords for thinking critically about languages and cultures, from 'Animal' to 'Voice'.

Hatred of SexLink opens in a new window

Heightened Genre and Women's Filmmaking in Hollywood

• Past Imperfect: Time and African Decolonization

Di Zhao, PhD student in Translation and Cultures in Warwick's School of Modern Languages & Cultures, has published a translation into Chinese of the award-winning true-crime book Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee by Casey Cep (William Heinemann, 2019). The translation was published by Straits Literature and Art Publishing House in Fuzhou, China in July 2020. https://book.douban.com/subject/35092879/

Over several years, working with Dr Benedict Schofield (KCL) James Hodkinson has curated an important volume of essays that asses the state of German Studies in education, but also in the worlds beyond it. Published by Camden House (Boydell & Brewer), James has written a blog reflecting on the book and its relevance. Read the entry here!

The account of bureaucracy under neoliberal capitalism which I present in this article, under the innocuous heading it prefers to use to describe itself (‘governance’), draws together recent critical work by the late David Graeber, Wendy Brown, William Davies and Pierre Dardot and Christian Laval, which it repositions in relation to Jacques Rancière’s conception of the ‘police order’. I suggest that the massive production of insecurity by proliferating bureaucracies which structure neoliberalism’s project of competitive hierarchisation creates the ideal conditions for a vicious circle of securitarian inflation. To read the full article click here

The combination of spectacle and elaborate scenery, orchestra and obligatory dance number made early nineteenth-century French melodrama expensive to produce and, consequently, the genre is strongly associated with the Parisian boulevard theatres. Provincial performances required creative solutions, not least because the music composed for – and central to – the Paris performances remained in manuscript form and was not, therefore, distributed automatically to regional theatres, whereas the play text was printed and widely available. This means that different scores existed for the same play, opening up the possibility that provincial audiences were presented with a different concept of melodrama to Parisians. Using as a case study La Forteresse du Danube (1805) by self-proclaimed leading exponent of the genre, Guilbert de Pixerécourt, this article will explore how comparing scores through performance-led research can further our understanding of the changes needed to make a Paris hit performable in the provinces.

For more, see Studi francesi, 191 (autumn 2020), pp. 248-360.

Douglas Morrey has recently published a major new appraisal of the legacy of the French New Wave

The book looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. It is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honoré, François Ozon and Jacques Audiard.

Love, Eros, & Desire in Contemporary German-Language Literature & Culture

Edited by HELMUT SCHMITZ & PETER DAVIES

Professor Nick Hewlett is interviewed by the State of Nature Blog on Marx and political violence based on his recent book Blood and Progress. Violence in Pursuit of Emancipation