The University of Warwick is proud of its long-standing connections with Venice. Our History and History of Art departments have collectively taught students in Venice for well over 50 years. From 2007, the University had a base in the Cannaregio district of the city. Other departments, including Italian Studies, WBS, Global Sustainable Development, Economics, WMG, and the Centre for the Study of the Renaissance, also used this space to deliver short courses and host academic conferences.

Circumstances necessitated the search for a new premises. After an interim period during which we were hosted by Ca’ Foscari, a new location was identified: the Palazzo Giustinian Lolin.

The opening event for the new venue was held on the 22nd May followed by a series of bi-lateral meetings between academics from Warwick and their counterparts from Ca' Foscari University on the 23rd May.

In conversation with The Independent Professor Rebecca Earle, ­from the University of Warwick said. "This is a genuine innovation. Historically, members of the public were not urged to celebrate coronations by inventing new dishes, or by recreating the menus of the official banquets. Home cooks hoping to replicate the côtelettes de bécassines à la Souvaroff served at Edward VII’s 1902 coronation would have confronted a complex recipe involving fillets of snipe, pâté, brandy and truffles,” she says.

“The method was later described in royal chef Gabriel Tschumi’s cookbook [Royal Chef: Recollections of life in royal households from Queen Victoria to Queen Mary], but it was unlikely to inspire any but the most intrepid.

“Today’s efforts to encourage us all to join in by baking a coronation quiche reflect the enormous popularity of cooking as a leisure activity, as well as the monarchy’s attempts to repackage themselves for the 21st century.”

Professor Sarah Richardson from Warwick's Department of History talks to  MyScienceLink opens in a new window about the ‘Rules of love in Regency England’ with creative links to the hit Netflix series, Bridgerton.

This event is the final phase of Processing the Pandemic: a multi-year series of seminars and symposia that explore how the experiences of the past may guide society’s emotional and social responses to the COVID-19 pandemic. The series asks how we—as an open community of scholars, teachers, archivists, social workers, and practitioners—might learn from these experiences and from each other in transformative, inspiring, transdisciplinary ways. How can such dialogues reframe existing discussions around the history of emotions, our responses to trauma, and how we navigate from loss to hope? Moreover, how can the study of peoples’ responses to traumatic events in the past and present help guide our own experience of the pandemic and its unfolding future?

Professor Helen Wheatley, School of Creative Arts, Performance and Visual Cultures, Centre for Television Histories, talks about her research into television history. Her Ghost Town project takes programmes made in and about Coventry out of TV archives and explores how they captured the life of the city. Programmes from the television archive have been screened throughout the city, helping communities to learn about Coventry’s past and have conversations about its present and future. Find out more about the Ghost Town project: https://warwick.ac.uk/about/cityofcul...Link opens in a new window

For more than 150 years kings, queens and cardinals have been among the few people permitted to tread on one of Britain’s greatest treasures: a medieval mosaic foretelling the end of the world.

Made with rare marbles, glass and gemstones, the Cosmati Pavement in Westminster Abbey is the exact spot on which British monarchs have been crowned for centuries.

Days after the coronation of the King, the 700-year-old artwork will be opened to the public for the first time — on condition that they remove their shoes.

Professor Jennifer Alexander, an art historian at Warwick University, said the pavement tours would “certainly be a rare opportunity for the public to walk in the footsteps of medieval kings”.

She said it was “entirely fitting that they should be barefoot, as medieval pilgrims to St Edward’s shrine would have been”.

One of the key foci of research and research-informed teaching at the Centre for Cultural and Media Policy Studies has been ‘creativity’ – who decides whether it is important and in what forms it takes, who gets to develop it and how, where it can be accessed and what kinds of creativity drive success and economic growth. So, we are delighted to see Dr Heidi Ashton’s research on arts education and culture in England, which she says has witnessed the emergence of two ‘systems’ of investment, appearing in The Guardian this week.

The Digital Humanities for Postgraduate Researchers certificate, which ran for the first time in 2022, saw the development and submission of an exciting range of digital research and teaching projects. Raad Khair Allah, a PhD candidate in the Department of English and Comparative Literary, used Miro to explore the "Marginalization of Arab Women and Revolutionising Patriarchy”. In this project she demonstrated how Arab women challenge patriarchal notions of gender in Arab Society through writing, film and visual arts. Her digital project is now reaching an international audience, having been a candidate for the Paula Svonkin creative art Award, and subsequently being published on the Pacific Ancient and Modern Language Association (PAMLA) Arts matter 2022 website.

Professor James Poskett from the Department of History at the University of Warwick has had his book Horizons: A Global History of Science voted one of the best books of the year by BBC History Magazine.

In Horizons: A Global History of Science, James Poskett challenges the traditional Eurocentric narrative in a radical retelling of the history of science and celebrates scientists from Africa, America, Asia and the Pacific and the parts they played in this story.

Exhibition comprising self-portraits, photographs and personal narratives created and curated by people who have experienced - or are experiencing - homelessness in Coventry. Held in the foyer of the FAB, 3 - 27 October 2022.