In conversation with The Independent Professor Rebecca Earle, from the University of Warwick said. "This is a genuine innovation. Historically, members of the public were not urged to celebrate coronations by inventing new dishes, or by recreating the menus of the official banquets. Home cooks hoping to replicate the côtelettes de bécassines à la Souvaroff served at Edward VII’s 1902 coronation would have confronted a complex recipe involving fillets of snipe, pâté, brandy and truffles,” she says.
“The method was later described in royal chef Gabriel Tschumi’s cookbook [Royal Chef: Recollections of life in royal households from Queen Victoria to Queen Mary], but it was unlikely to inspire any but the most intrepid.
“Today’s efforts to encourage us all to join in by baking a coronation quiche reflect the enormous popularity of cooking as a leisure activity, as well as the monarchy’s attempts to repackage themselves for the 21st century.”
Centre research in the Guardian: creativity and the curriculum: educational apartheid in 21st century England?
One of the key foci of research and research-informed teaching at the Centre for Cultural and Media Policy Studies has been ‘creativity’ – who decides whether it is important and in what forms it takes, who gets to develop it and how, where it can be accessed and what kinds of creativity drive success and economic growth. So, we are delighted to see Dr Heidi Ashton’s research on arts education and culture in England, which she says has witnessed the emergence of two ‘systems’ of investment, appearing in The Guardian this week.
Exhibition comprising self-portraits, photographs and personal narratives created and curated by people who have experienced - or are experiencing - homelessness in Coventry. Held in the foyer of the FAB, 3 - 27 October 2022.
Researchers from the Department of History will be delivering a series of talks at Warwick Words History Festival. Now in its twentieth year, Warwick Words is a popular annual event, bringing internationally acclaimed historians to share stories from the past to venues around Warwick.
Since 2012, the University of Warwick has collaborated with the festival on a series titled Tea Time talks, where academics from the Department of History discuss their research. This year, topics are:
Picking up the Pieces: Gender and Romantic Failure in late 20th Century Britain – Dr Zoe Strimpel, Saturday 22 October
The programme also includes a play written by PhD student David Fletcher and performed by Loft Theatre company. Taking the Waters tells the story of a cholera epidemic that took place in Leamington Spa in 1849, and the medical and political conflicts that surrounded it.
Other speakers at the festival include Tracy Borman, Max Hastings, Dan Jones, Adam Rutherford, Charles Spencer and Alison Weir. Tickets are available from Warwick Words’ website: https://warwickwords.co.uk/
Dr James Hodkinson from the School of Modern Languages and Cultures has been collaborating with Birmingham-based Soul City Arts on their latest project, Waswasa: a multi-disciplinary art show staged in an immersive setting at Birmingham Hippodrome, using real-life community narratives to explore the act of Islamic prayer and what that means in a modern, secular society.
Lead artist Mohammed Ali and his team aim to demystify this familiar yet misunderstood tradition through an extraordinary multi-media show that will challenge perceptions. The show relates deeply to people of no faith too, as we all struggle with achieving that higher state of focus with things like social media, technology and other distractions dominating our lives.
Thursday 25 Aug – Saturday 3 Sep 2022 at Birmingham Hippodrome
Part of the Birmingham 2022 Festival
Buy Tickets for Waswasa: www.bit.ly/waswasa
- Read more about Waswasa: www.soulcityarts.com/waswasa
- View the Waswasa Press Release: https://www.soulcityarts.com/waswasa-press-release
How do you find that elusive flow state? How can we focus in a world of distractions?
Join the conversation: #WaswasaShow #B2022Festival @SoulCityArts @AliAerosol @BrumHippodrome
The 1970s brought violence and fear to Chile.
On 11th September 1973, General Pinochet’s coup marked the end of Salvador Allende’s presidency and the beginning of a brutal period in Latin American history. From Allende’s death until 1990, Chile was ruled by a military junta that carried out a program of persecuting alleged dissidents, in which over 3,000 civilians disappeared or were killed. During this period, almost 3,000 Chileans escaped political persecution, coming to the UK as refugees.
Professor Alison Ribeiro de MenezesLink opens in a new window from the School of Modern Languages and CulturesLink opens in a new window is studying the UK-based refugee effort and the experiences of those involved in order to address the fact that the stories of these particular refugees lack a more formal legacy (being largely absent from the collection of Chile’s Museum of Memory and Human Rights, for instance). In exploring the neglected experiences of this group, Professor Ribeiro de Menezes has devised strategies to share their story more widely as well as to approach the traumatic impact of this violent period in Chile’s history.
Have a taste of what it is like to be a Faculty of Arts student through the video of the recent FAB Festival and opening of Warwick's new Arts Building.
Classics (3rd) in the UK’s top 5 institutions for research excellence according to the Times Higher.
89% of our overall research activity across the Faculty was judged in REF2021 to be of world-leading or internationally excellent quality.
In the final episode of the #FacultyofArtsatHome series, Professor Stéphanie Panichelli-Batalla gets us thinking about health and its delivery from a global perspective, by sharing her research on the Cuban Internationalist Solidarity Programme.
ListenLink opens in a new window to find out more about what healthcare means to the professionals on the programme, as well as how the programme itself has impacted Cuban society.
Coventry's year as 'UK City of Culture 2021' draws to a close in April 2022. The University of Warwick will celebrate Coventry's magnificent tenure with a campus finale of the Resonate Festival, taking place from the 19th - 21st April 2022.
But what does it mean to be a 'City of Culture', and from where did this scheme originate? Who chooses the 'winning' city, what sorts of criteria are used to select the winner, and what is expected of a city once they have been awarded the title?
In this episode of #FacultyofArtsatHomeLink opens in a new window, PhD Researcher Emily Dunford - whose research specifically focuses on Coventry's tenure as UK City of Culture 2021 - will answer these questions and more, providing insights into the wider social, economic and political aspects of the scheme and how it shapes the places where we live.