In the final episode of the #FacultyofArtsatHome series, Professor Stéphanie Panichelli-Batalla gets us thinking about health and its delivery from a global perspective, by sharing her research on the Cuban Internationalist Solidarity Programme.

ListenLink opens in a new window to find out more about what healthcare means to the professionals on the programme, as well as how the programme itself has impacted Cuban society.

Tying in with the launch of the Resonate Festival, the University of Warwick’s year-long programme of events for City of Culture, and its focus on the idea of Invention throughout the month of May, Dr Richard Wallace (Film and Television Studies) brings us the film ‘Digitalisation and Cinema Projection in the UK’. Rick’s film explores his work on the AHRC funded ‘Projection Project’ and the history of film projection practices, reaching from the earliest days of cinema to the current digital revolution in film exhibition.

Dr James Hodkinson (German Studies, School of Modern Languages and Cultures) delivers a conversation with one of his key collaborators, the artist Mohammed Ali MBE (https://www.soulcityarts.com), explores the relationship between his research into Islam in Germany in the 19th Century and his public engagement projects including the Art of Empathy (2019) and Congregate (2020-), a collaborative livestream of visual art, film, music and conversation. James explores the concepts of kinship and empathy, and the power of art to allow us to view the world from alternate cultural perspectives.

Dr Fabienne Viala (Director of the Yesu Persaud Centre for Caribbean Studies) explains the concept of ‘artivism’ to us, in its Caribbean context, as a fusion of art forms and practices through which artists confront and engage with a range of publics. Fabienne argues that artivism activates the empathetic imagination, and looks at how environmental and racial justice are brought into dialogue through her work with Caribbean artivists.

Dr Chantal Wright (Warwick Writing Programme) delivers the first of our ‘Literature, Language and Translation’ Faculty of Arts at Home films: ‘The Literary Translation: A Guide for the Perplexed, Curious and Uninitiated’. Chantal is an important advocate for translation as a profession and a practice, and she draws our attention here to the creative processes of literary translation. She highlights, for example, the significance of the #namethetranslator​ hashtag, and the campaign to properly credit translators for their work. Her film urges us, more broadly, to appreciate the fact that translated works are the result of the creative endeavours of two people.

Explore with Professor Silvija Jestrovic (Theatre and Performance Studies) some ideas from her recent work about the presence and absence of the author, in ‘The Author Dies Hard’. Siilvija challenges us to think about the questions ‘Who is the author?’ and ‘Where is the author?’. Her wider work looks at how the author is constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality, and what the politics and ethics of these constructions are.

Hear from Dr Eris Williams Reed (Classics and Ancient History) about her work on the history of the Roman Near East and ancient communities’ interaction with the environment. Eris looks for expressions of environmental loss and ecological grief in the Safaitic inscriptions of Northern Arabia and uncovers the precarious, volatile and fragile relationship that some people in the ancient world had with their environment.

Hear from Dr Pietari Kaapa (Centre for Cultural and Media Policy Studies) about his work on the relationship between media and climate change. Pietari asks us to think here about the environmental impact of the production of our media and reports on the work of the Global Green Media Production Network.