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The Secret World of Publishing

Emily Wells (BA English Literature and Creative Writing, 2013) has a job many booklovers would envy: she gets to read for a living. As Senior Editor for a division of world publishing giant Hachette, her week is spent dissecting what makes a story sell and succeed on the market.


The Warwick Prize for Women in Translation Announces the 2023 Shortlist

Eight titles have been shortlisted for the 2023 Warwick Prize for Women in Translation.

The £1000 prize was established by the University of Warwick in 2017 to address the gender imbalance in translated literature and to increase the number of international women’s voices accessible by a British and Irish readership. Now in its seventh year, the prize has received a record-breaking 153 eligible entries representing 32 languages – the largest number of submissions to date.


Letting creativity lead the way

BA English and Theatre Studies alumna Vinitaraj Aulak may have only graduated in 2021, but she wasted no time chasing her dreams and securing a radio presenter role on BBC Asian Network. Here she shares how her undergraduate degree taught her to break the mould and follow her passions.


From Warwick to the West End: Lemons, Lemons, Lemons, Lemons, Lemons

Lemons Lemons Lemons Lemons Lemons premiered at Warwick Arts Centre in 2015 and won three Judges' Awards at the National Student Drama Festival, before appearing at Latitude Festival, the Edinburgh Festival Fringe and Camden People's Theatre, London.

The play is now on in London's West End at the Harold Pinter Theatre.

The playright, Sam Steiner, is an alumnus of Warwick University (English Literature 2014) and gave an interview to our alumni team about his experience of breaking into playwriting for stage and screen.


Behind the screens: An evening with Hollywood screenwriter, Mika Watkins

Mika WatkinsLink opens in a new window studied English Literature at Warwick, before going on to create and executive-produce the hit YouTube premium series Origin. Her writing credits include Guillermo del Toro’s Netflix horror series Cabinet Of Curiosities; Stan Lee’s Lucky Man on Sky 1; and BBC1 period drama Troy: Fall of a City.

Mika will return to the English department next Wednesday, 1st February to share her experiences in the TV and film industries with current Arts Faculty students.



#FacultyofArtsatHome - Cities of Culture

Coventry's year as 'UK City of Culture 2021' draws to a close in April 2022. The University of Warwick will celebrate Coventry's magnificent tenure with a campus finale of the Resonate Festival, taking place from the 19th - 21st April 2022.

But what does it mean to be a 'City of Culture', and from where did this scheme originate? Who chooses the 'winning' city, what sorts of criteria are used to select the winner, and what is expected of a city once they have been awarded the title?

In this episode of #FacultyofArtsatHomeLink opens in a new window, PhD Researcher Emily Dunford - whose research specifically focuses on Coventry's tenure as UK City of Culture 2021 - will answer these questions and more, providing insights into the wider social, economic and political aspects of the scheme and how it shapes the places where we live.


Interview with Bestselling Author Sarah Pearse

We're delighted to share an interview with crime author and Warwick alumna, Sarah Pearse (BA English Literature and Creative Writing 2002).


New Arts Building - Student Poetry on its Construction

Students from the Warwick Writing Programme in SCAPVC provide their own very personal reflections in poetry on the construction and significance of this landmark building for the Arts at Warwick.


Faculty of Arts at Home 17 - Ethics, Politics and Social Justice: The Author Dies Hard

Explore with Professor Silvija Jestrovic (Theatre and Performance Studies) some ideas from her recent work about the presence and absence of the author, in ‘The Author Dies Hard’. Siilvija challenges us to think about the questions ‘Who is the author?’ and ‘Where is the author?’. Her wider work looks at how the author is constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality, and what the politics and ethics of these constructions are.


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