News

The WCN is featured in the Spring edition of Education Choices Magazine, published this month. Read all about the outreach work of the Department on page 62.

We are delighted to announce the publication of Bryony White's article 'Slow, Spectacular Labours: Liveness in Contemporary Dance' in Contemporary Theatre Review.

Edited by Charlotte Spear and Madeleine Sinclair (Warwick) January 2025

The twenty-first century has been deemed the “Age of Crisis”. We are witnessing the catastrophic unfolding of environmental crisis, financial crisis, pandemic and conflict. But are we to understand these crises as new phenomena? Is their seemingly simultaneous existence purely coincidental? Or rather do they instead form part of a singular, historically produced, unfolding crisis, which only today has reached a generalised consciousness? And perhaps most urgently, how far can we separate the crises of human experience from those exacted upon the land?

The chapters collected in Crisis and Body Politics in Twenty-First Century Cultural Production: Territorial Bodies deploy the framework of “Territorial Bodies” to address urgent social, ecological and political challenges. Examining themes such as (inter)national bodily governance, racialised bodies, eco-feminist movements, spatial justice and bodily displacement, this collection provides a deeper analysis of the interconnected forms of violence perpetrated against marginalised human and non-human bodies, taking this combined violence as the defining feature of contemporary crisis.

Lead authors: Pietari Kääpä (Warwick) and Hunter Vaughan (Emerson College/Cambridge)

Co-authors: Norma Cuadros (Warwick), Kate Moffat (Warwick) and Vanessa Zarm (UCL)

The Greening European Film Policy report is available for download from the Global Green Media Network website: https://www.globalgreenmedianetwork.org/reports

This report examines European film, television, and streaming industry sustainability policies, management, financing, and production at local, state, and EU levels. It explores policy support for institutionalizing these practices and offers solutions to fill policy gaps.

Produced in collaboration with Green Eyes (Hungary), Ecomuvi (Italy), Film London (UK), Screen Greening (Ireland), and Neptune Environmental (UK), the report aims to make green film production an active agent for positive transformation in the industry. Addressing funding, production, and reportage phases, the report provides three key recommendations.

1. Minimum Standards:

Establish standardised sustainability expectations and norms, from development-stage planning to on-set baselines, for both publicly-financed and commercial productions.

2. Finance

Adopt mandatory financial investment schemes for all productions, including incoming mobile productions and international co-productions, to link financial incentives with verifiable reductions in environmental impact.

3. Auditing

Introduce third-party auditing and certification focused on exceeding minimum standards, directly tied to financial incentivisation.

Please contact Pietari Kaapa (P.Kaapa@warwick.ac.uk) or Hunter Vaughan (hunter.vaughan@emerson.edu) with any questions.