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University of Warwick proposes new quality and safety regulations report for micromobility vehicles

The UK is the last major Western economy not to legislate ‘Powered Micro Vehicles’. The University of Warwick wants to change that and has proposed a new set of regulations for allowing micromobility vehicles, such as e-scooters to operate legally in the UK. The report looks at ways to improve the quality and safety of models available, as well as providing clear guidance for authorities to deal with unsafe behaviour.

Thu 05 May 2022, 08:45 | Tags: research, WMS, renewable energy, transport

Cancer origin identified through cell ‘surgery’ – new research

Research from the University of Warwick sheds new light on a key cause of cancer formation during cell division (or mitosis), and points towards potential solutions for preventing it from occurring.



World’s most powerful particle accelerator comes back to life

The Large Hadron Collider has been restarted successfully today, after undergoing significant upgrades with contributions from University of Warwick physicists.

Fri 22 Apr 2022, 14:15 | Tags: Physics

Reducing patients’ breathing efforts could be key to success of non-invasive respiratory support in COVID-19 patients

 Source: BiPAP using a ventilator,  Author James Heilman. https://en.wikipedia.org/wiki/Non-invasive_ventilation#/media/File:BIPAP.JPG

Working with an international team of leading intensive care clinicians, engineering researchers at the University of Warwick have used computational modelling to show that non-invasive respiratory support is more likely to be successful if it allows significant reductions in patients’ breathing efforts.

Thu 21 Apr 2022, 10:24 | Tags: medicine, School of Engineering, COVID-19, wellbeing

New book centres the contribution of British Black and Asian actors to Shakespeare in the theatre

The contribution of British Black and Asian actors to Shakespearean theatre in the UK is celebrated in a new book by Warwick researcher Dr Jami Rogers. Starting with the pioneering residency of the US actor Ira Aldridge in Coventry in 1828, Rogers sets out to trace the history of those performers of colour who followed Aldridge onto UK stages and whose contributions to British Shakespeare have largely gone unacknowledged.


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