Human beings have evolved in an environment of constant gravity. Here we explore the challenge of artificial gravity in SF

Looking at the tendency of science fictional life to destroy its creators.

Looking at our ears on the sky - the giant radio telescopes that extend our studies of the Universe beyond the range of optical light.

Space Nazis... enough said

One common thread in SF stories is the idea of precursor civilisations - ancient races that lived, died and passed out of general knowledge long before humanity took to the stars.

Will humanity find friendship in the stars, or are we merely a helpless child, crying in the wolf-infested forest.

Exploring megastructures - artificial structures on enormous scales - in SF.

The Manhattan Project developed the first atomic bombs, and in doing so changed the world. Here we look at representations of the Project in SF.

For the Homo Superior

Looking at degenerate futures for humanity in science fiction.

Exploring the portrayals and predictions of reality shows in science fiction

Exploring the role and impact of astronomical clouds and nebulae in science fiction.

Did humanity originate elsewhere? Why does Mars appear so prominently as the origin of the human race in science fiction?

A recurring aspiration in visions of the future is the idea that machines, and particularly robots, will come to dominate key aspects of our lives and societies.

Exploring space weather - an important problem both in science fiction and in our contemporary world.

Trial and error is an essential element of the scientific process, but it is seldom portrayed accurately in popular culture. Here we take a look at the relatively rare representations of less clear cut and more fallible scientific investigations.

One of the common uses of science fiction is to imagine the habitability of worlds very different from our own. Some famous science fiction narratives consider a desert as their setting, but how is human habitability envisaged in these worlds and how plausible are they?

World ships - planets which move under the deliberate control of their inhabitants or others - are a staple of science fiction. But how plausible are representations of world ships in SF, and why are they so popular?

Published in 1955, Arthur C. Clarke’s The Star is an unusual take on the relationship between science, religion and science fiction. In this blog, we take a look at this story in detail.

The ability to control the weather has been one of the goals of science for decades - with limited success - and, inevitably, science fiction has explored its possibilities and possible consequences.

In the science fiction of the 1940s, 50s and 60s atomic power is ubiquitous, to the extent that it permeates domestic as well as industrial and military settings. But just how common is this atomic future in science fiction, and what can we learn from its rise and fall?

One of the key limitations in converting physics theories into practical technology is finding a material capable of taking the forces, temperatures or other physical requirements. Science fiction has, unsurprisingly, hypothesised a variety of such materials - with varying degrees of plausibility.

The threat to space travel presented by space junk - the debris left behind by earlier human activity - has long been recognised. Naturally, science fiction has not failed to explore both the threat and the potential dangers of ignoring it.

The asteroid belt is a collection of small rocky worlds, ranging in size from pebbles to the dwarf planet Ceres at almost a thousand kilometres across. Located in orbit between Mars and Jupiter they have been an important site in the imagination of both SF writers and scientists alike.